Better In The Dark #137

Episode 137: INFINITE STORIES IN HIS TRUCK–THE CAREER OF LARRY COHEN

The Boys Outta Brooklyn welcomes back for the first of two–that’s right, two–episodes Dread Media Maven and Patriarch of the First Family of Better In The Dark Des Reddick just in time to induct one of the greatest Guerilla filmmakers of all time into The Hall of Great, Great Men. Tom, Derrick and Des dissect and discuss Larry Cohen’s career as both a director and screenwriter, from his first film, the bizarre psychological crime flick Bone, to the ‘Telephone Trilogy.’ Along the way they explain how Cohen always stayed true to his maverick esthetic, never letting being fired or banned from shooting in the city he loved stop him from making the movies he dreamed of. Plus tales of focus group marketing, Alien Emo Jesus, and Fred Williamson is The Hulk! You know you gotta pay the cost to be the boss, so get to clicking!

BETTER IN THE DARK
Two Guys Outta Brooklyn Talk Movies
DJ COMICS CAVALCADE
Silver Age Comics Through Modern Eyes
Join us now at www.earth-2.net!
Nocturne, The City That Lives By Night….needs a darker shade of protector
THE SHADOW LEGION http://welcometonocturne.blogspot.com/

Better In The Dark #135

The Boys Outta Brooklyn commemorate the passing of the star of such films as THE WILD BUNCH, FROM HERE TO ETERNITY, and ESCAPE FROM NEW YORK by inducting him into the Hall of Great, Great, Men. Hear Tom and Derrick discuss a wonderful career that saw Borgnine play heroes and villains, goofs and tough guys, main characters and supporting guys, all with his trademark wolf’s grin. Plus Eurocrime Expendables, what Snake Plissken and Jack Burton have in common besides being played by Kurt Russell, and a double feature of movies made when William Shatner was living in his van. You know you don’t want to ride that train, so get to clicking!

BETTER IN THE DARK
Two Guys Outta Brooklyn Talk Movies
DJ COMICS CAVALCADE
Silver Age Comics Through Modern Eyes
Join us now at www.earth-2.net!
Nocturne, The City That Lives By Night….needs a darker shade of protector
THE SHADOW LEGION http://welcometonocturne.blogspot.com/

Better In The Dark #134

Episode 134: BITD WATCHES FOX!

 

It’s the 25th Anniversary of The Fox Television Network…and Tom and Derrick celebrate by gleefully unearthing some of the shows and events the first ‘netlet’ neglected to mention when it threw itself a birthday party! Join the Boys Outta Brooklyn as they toast the hotness of Alison LaPlaca and Melanie Chartoff, defend Morgan and Wong from the tongue-lashing of Chris Carter, commemorate the first cross-network crossover, and otherwise poke the sleeping memory of the nation’s fourth broadcast network to dislodge some stuff it might not want to remember. You know we control the universe, so get to clicking!

BETTER IN THE DARK
Two Guys Outta Brooklyn Talk Movies

DJ COMICS CAVALCADE
Silver Age Comics Through Modern Eyes
Join us now at www.earth-2.net!
Nocturne, The City That Lives By Night….needs a darker shade of protector
THE SHADOW LEGION http://welcometonocturne.blogspot.com/

Better In The Dark #132

 

Episode 132: DIE, INDIE, DIE! THE CHANGING STATUS OF INDEPENDENT CINEMA

The Boys Outta Brooklyn wander off the mainstream reservation this episode as they take a look at the way indie cinema has transformed into a minor league for the big studios. Tom and Derrick examine how the recent switch to digital projection, Sundance and other factors have transformed the face of this filmic tradition. Plus Derrick is reduced to helpless laughter when he learns one of Tom’s nicknames, far too much talk about 90’s alt-rock and comics, the revelation of where the indie spirit really lives, and a challenge to both the readers and the hosts! You don’t want Robert Redford making money off of you, so get to clicking!

BETTER IN THE DARK
Two Guys Outta Brooklyn Talk Movies
DJ COMICS CAVALCADE
Silver Age Comics Through Modern Eyes
Join us now at www.earth-2.net!
Nocturne, The City That Lives By Night….needs a darker shade of protector
THE SHADOW LEGION http://welcometonocturne.blogspot.com/

Better In The Dark #59

BETTER IN THE DARK #59

BLACK GLOVES ARE FOR MURDER: THE GIALLO STYLINGS OF DARIO ARGENTO

The Guys Outta Brooklyn go continental as we examine a quintet of giallo films by the man who helped originate the genre, Dario Argento! From the insanely plotted but compelling TENEBRAE to the insanely plotted and craptacular TRAUMA to the clip show love letter DO YOU LIKE HITCHCOCK?, Tom and Derrick examine the handiwork of this seminal Italian director. Plus Tom gets an excuse to trot out another accent, how the “Three Mothers” trilogy is like “Kill Bill” and a word from our sponsor, The Argento Decapomatic! You know it’s all like a dream brought on by too much Ziti Fra Diablo, so get to clicking!

http://www.betterinthedarksite.com/episode-archives/eps-51-60/

Better In The Dark #123

BETTER IN THE DARK #123: WATERCOLOR WITH BLOOD AND BULLETS-THE CAREER OF KATHRYN BIGELOW

 

 

The Boys From Brooklyn are back to induct the first woman into their Hall of Great, Great Men as they celebrate the artistic-yet-genre career of Kathryn Bigelow. Join Tom and Derrick as they examine her whole ouvre, from the existential biker film The Loveless to the cowboy / vampire thriller Near Dark to her Academy Award-winning war flick The Hurt Locker. Along the way they examine the televisual train wreck that was Wild Palms, discuss the impact her original career as a painter had on her moviemaking, and debate whether she’s hotter than Linda Hamilton! All this plus the problems of basing your films on current events, what do you do when Juliette Lewis and / or Illeana Douglas asks you if you want to hit it, spokespeople for Jewish Hotness, and gratuitous Martin Scorsese!  So get to clicking!

 

http://betterinthedarksite.com/episode-archives/eps-121/

 

 

The Fast And The Furious (1955)

1955

American Releasing Corporation

Directed by John Ireland and Edward Sampson

Produced by Roger Corman

Written by Jean Howell and Jerome Odlum from a story by Roger Corman

Last year my Better In The Dark co-host Thomas Deja and I got the idea for a theme for the summer of 2012 which we called “The Summer of Speed”  The idea was to do episodes reviewing movies based around cars or where cars play a major role.  Naturally we immediately hit on doing an episode on the entire “Fast and Furious” series which you can find here .  I also saw this as an opportunity to do the same theme here at The Ferguson Theater and review movies I’ve been meaning to review for the longest but have been neglecting.  Movies such as “Speed Racer” “The Cannonball Run” “Smokey and The Bandit” and “Greased Lightning”. Now being anal as I am, I insisted to Tom that I wanted to start with the original THE FAST AND THE FURIOUS made in 1955.  He said I could go knock myself out and now I see why.  This movie does not follow The Ferguson Rule Of Truth In Movie Advertising in that it is neither Fast nor is it Furious.

Frank Webster (John Ireland) is a man on the run.  Doing time for a murder he didn’t commit, he manages to bust outta the hoosegow and take it on the lam.  The dragnet cast out for him is extensive and closing on him fast.  He needs a quick way out of his situation and finds it thanks to Connie Adair (Dorothy Malone) who is driving a Jaguar. While sitting in a roadside diner, Frank overhears Connie telling the waitress that she’s on her way to participate in a cross country race where the finish line is in Mexico.  Frank sees this as a perfect cover to get away.  Frank takes Connie hostage and they head for the race.

The bulk of the movie is taken up with Connie pleading for Frank to let her go even though there are numerous opportunities where she could get away but doesn’t take advantage of it.  And for a guy who’s trying not to arouse any suspicion,  Frank does a lot of suspicious things that cause many of the people he meets at the race to raise their eyebrows and ask Connie, “Hey, you sure this guy is okay?”

Turns out that the race officials have changed the rules so that women can’t participate in the race saying that they’ve deemed it “too dangerous for a woman.” So Frank has to put himself in the race so that he won’t raise any more eyebrows than he already has.  It’s during his qualifying run for the race where Frank and Connie start to bond a little.  He tells her what really happened to get him thrown in jail and she urges him to give himself up and even offers to help.  Frank quite naturally tells her to get stuffed.  Now somehow through all this back-and-forth, they manage to fall in love.  So much so that Frank jeopardizes his freedom to drive Connie’s car in what has to be the most boring car race I’ve seen on film.

Thankfully the movie is only 73 minutes long so if you do decide to watch it, it’s mercifully short.  Apparently the producers of the Vin Diesel remake bought the rights to the movie just because they wanted the title.  And I can understand that: it’s a good title.  One that is wasted on this movie.  It’s worth watching if you’re a Roger Corman fan and want to watch this because of his involvement in it but that’s about I can recommend it for.  I really didn’t care a poobah’s pizzle about anybody in this movie and while Dorothy Malone tries her best to inject some life into her scenes with John Ireland, he’s no help at all as his idea of acting is to just stand there and look constipated.  Their romance is entirely unconvincing and when I got to the end of the movie I howled, “That’s it?

THE FAST AND THE FURIOUS is available for streaming on Netflix and you can also see it the entire movie on YouTube which I’ve provided for you right here if you care to see it.  If you don’t want to, I quite understand.