Once Upon A Time In The West


Paramount Pictures

Directed by Sergio Leone

Produced by Bino Cicogna

Written by Dario Argento, Bernardo Bertolucci, Sergio Leone and Sergio Donatti

Music by Ennio Morricone

Three men wait a remote train station.  One man (Al Mulock) endlessly cracks his knuckles.  The second man (Woody Strode) stands underneath a leak in the water tower. Eventually the water gathers in the crown of his hat and he drinks it with a really satisfied smile.  The third man (Jack Elam) engages in an existential war with a fly that just won’t leave him alone.   The train arrives and one man (Charles Bronson) disembarks.  The three men have obviously been waiting to kill him.  The lone man plays a sad dirge on an old battered harmonica and he asks the three men if they brought a horse for him.  The third man jokingly says that it looks as if they’re one horse shy.  The harmonica player disagrees:

“You brought two horses too many.”

The harmonica player whips out his gun, kills all three men with incredibly fast and accurate shots and that’s how ONCE UPON A TIME IN THE WEST begins.  A movie that I think is the best western ever made.  You can disagree with me.  I don’t mind.

Jill McBain (Claudia Cardinale) arrives in the boomtown of Flagstone to take up housekeeping with Brett McBain (Frank Wolff) whom she met and married in New Orleans.  Jill is desperately looking to put her former life as a prostitute behind her but that dream is totally shattered as she finds that McBain, along with his three children have all been brutally murdered.

The townspeople are quick to put the blame on Cheyenne (Jason Robards) a local bandit noted for his flamboyance and rough charm.  But Cheyenne is for once the innocent party.  The McBains were actually killed by Frank (Henry Fonda) a merciless killer in the employ of railroad tycoon Morton (Gabriele Ferzetti) who is dying from tuberculosis of the bones but is determined to stay alive long enough to see his railroad reach The Pacific Ocean.  Frank’s got other plans.  And those plans include the McBain ranch of Sweetwater which Jill has inherited.

The ranch is sitting on a vast underground lake of fresh water.  And Brett McBain’s intention was to build a railroad station right on the spot where the railroad would pass through.  McBain knew that the water was worth millions and whoever controlled the water would control the town that would spring up around the station.  Frank is determined to get that land.  Jill is just as determined that he doesn’t.  Cheyenne genuinely likes Jill and genuinely doesn’t like Frank and wants to help her out.  Nobody knows what the motives and intentions of the mysterious man that they all call Harmonica are.  But he moves among these four and manipulates their actions for his own dark purpose.  A purpose we don’t learn until the end of the movie and one I wouldn’t dare reveal here.

I love all of Sergio Leone’s movies and I’ve thought for years that ONCE UPON A TIME IN THE WEST was his highly underrated masterpiece.  Most would say that “The Good, The Bad And The Ugly” takes the top honors among Leone’s films but I gotta disagree.  Much as I love “The Good, The Bad And The Ugly” I love ONCE UPON A TIME IN THE WEST even more.  Why?  Okay, sit back.  This will take a while.

First of all is the title: ONCE UPON A TIME IN THE WEST.  Leone is letting you know right up front he’s telling you a grown-up fairy tale.  This isn’t going to be a fairy tale that has a happy ending because it takes place in the west.  But it really isn’t The American West we know.  The film critic Danny Peary wrote in his review of ONCE UPON A TIME IN THE WEST that Sergio Leone’s West was inhabited by a select group men who belonged to an elder race of warriors who possessed near supernatural skills with guns.  And I think that’s valid.  Sergio Leone’s American West is actually as much a fantasy realm as Robert E. Howard’s Hyborian Era.  But in Leone’s fantasy world his warriors tote sixguns instead of swords.  In fact, there’s a key scene where Charles Bronson’s Harmonica says to Henry Fonda’s Frank that he belongs to ‘an ancient race’.

Second of all is Claudia Cardinale.  Sergio Leone may have slighted women is his other movies but he made up for it with this one.  He takes every opportunity to film Claudia Cardinale the best way he can.  She’s an astoundingly beautiful woman and Leone takes advantage of that, giving her an amazing amount of close-ups where we can just take delight in how lusciously gorgeous she is.  And she’s not just there as eye candy.  Miss Cardinale’s character is the one that sets everything in the movie into motion.

Third is Henry Fonda.  ONCE UPON A TIME IN THE WEST is legendary as the only movie where he played a bad guy and I guess we’re lucky because if Mr. Fonda had really put his mind to it we’d have gotten some of the scariest bad guys of all time from him.   Henry Fonda  scares the you-know-what outta me everytime he shows up on screen in this movie.  He’s so scary that when this movie was first shown on American television, some of his scenes were actually cut out including Frank’s killing of a little boy.

Fourth is just the way the story is told.  Sergio Leone takes his time in all of his movies and this is no exception.  He’ll tell the story he wants to tell in his own way and in his own time.  ONCE UPON A TIME IN THE WEST is no exception.  There are many scenes which have nothing but characters staring at each other.  And compared to how fast the gunfights happen you might be bewildered at how much time Leone takes setting up the gunfights.  But that’s because Leone is more interested in the rituals leading up to the gunfight.

Fifth is the score by Ennio Morricone which I think is the best he’s ever done.  Do yourself a favor and pick up the two-disc DVD version of ONCE UPON A TIME IN THE WEST in which you’ve got commentary by guys like John Carpenter, John Milius, Claudia Cardinale and numerous others including Morricone who himself says that Leone wanted ONCE UPON A TIME IN THE WEST scored liked an opera.  Every main character has their own theme music and the hauntingly evocative ‘Jill’s Theme’ is used to its greatest effect in the last ten minutes of the movie.  Which is Leone’s commentary in full on the mythic Old West he loved so much.

Should you see ONCE UPON A TIME IN THE WEST?  It’s one of the movies in my Movies You Can’t Call Yourself A Movie Fan If You Haven’t Seen list.  It’s got terrific performances by Charles Bronson, Henry Fonda, Jason Robards and the exquisite Claudia Cardinale.  It’s not a western you want to see for non-stop action and bloody shootouts.  But the way it’s filmed, its story and the acting it’s captivating.   If you call yourself a fan of movies or a fan of westerns then ONCE UPON A TIME IN THE WEST is a movie you need to see.

171 minutes

Rated PG-13

A Boy And His Dog



Written and Directed by L.Q. Jones

Produced by Alvy Moore

Based on the novella by Harlan Ellison

Science Fiction movies made today may be a lot of flash and spectacle, stuffed full of plastic characters with shallow motivations and even shallower personalities, backed up by a ton of CGI effects but give ‘em this: at least they’re optimistic.  Science Fiction movies of the 50’s/60’s and 70’s were dour, apocalyptic, doom-laden eulogies predicting The Downfall of Mankind.  More often than not these movies predicted the end of the world through Man’s Own Fault.  Nuclear holocausts was practically a given.  If you watch a movie made during that period you get the distinct impression that nobody thought we’d make it out of the 20th Century.  A BOY AND HIS DOG is a good example of what I’m talking about.  It’s a post-apocalyptic Science Fiction action/adventure with just enough social satire thrown in to give you a chuckle, set in one of the most depressing future worlds you can think of and the ending takes black comedy to a new level.

In the year 2024 Earth has not only seen World War III but World War IV as well and America is a burned out, burned up wasteland.  There’s no civilization to speak of unless you want to try your luck in one of the near mythical underground cities of Downunder.  But above ground Vic (Don Johnson) and his telepathic dog Blood (played by Tiger/voice by Tim McIntire) like it just fine.  They enjoy pitting their wits against roving bands of marauders and scavengers, stealing food from them when they can and hunting up women for Vic to rape.  One of these women Blood hunts up is Quilla June (Susanne Benton) who lives Downunder in a city called ‘Topeka’ but sneaks up to the surface from time to time for a little sexual excitement with the savages.  Blood telepathically sniffs her out and Vic captures her.  But he doesn’t have long to enjoy his prize before he and Blood are forced to defend her against a band of scavengers in a brutal battle that leaves Blood badly hurt.

Quilla June escapes Vic and goes back Downunder.  Vic is determined to follow her and leaves Blood on the surface while he makes his way Downunder.  It’s not what he thinks.  Under the guidance of The Committee and Mr. Craddock (Jason Robards) Topeka is like Norman Rockwell on crystal meth.   There’s marching bands 24/7, parades, dances, hoedowns and everybody has their faces disturbingly painted like circus clowns.  Vic is scrubbed down and cleaned up and informed that Quilla June deliberately lured him to Topeka to help with their population problem.  It’s a problem Vic is happy to help them with until he finds out he’s not going to be able to do it the old fashioned way.  Quilla June and some of the young members of Topeka want to enlist Vic’s help to overthrow The Committee and Mr. Craddock so they can establish a New World Order.  The revolution doesn’t go as Quilla June planned and both she and Vic are forced to return to the surface where Vic and Blood are reunited and that leads into the resolution of the relationship between Vic, Blood and Quilla June.  And what a resolution it is.  One that drives home the title of the movie in more ways than one.

A BOY AND HIS DOG probably won’t have much to offer most of today’s CGI happy movie going crowd but then again, it’s not that type of movie.  It was made during a time when a Science Fiction Movie didn’t mean Big Explosions, half a billion dollar budgets, Big Stars and CGI effects every 30 seconds.  A BOY AND HIS DOG relies on the characters and the story to engage viewers.  It’s a film that has acquired Cult Movie status over the years and I think it earned that status honestly.  You’re going to be amazed at how young Don Johnson looks in this one.  He made this movie about 10 years before “Miami Vice” and even in this early work of his you can see flashes and hints of what made him a star later on.  Considering that most of his emotional scenes are with a dog, Don Johnson does a pretty good job.  A lot of their dialog is done with him speaking and Blood ‘speaking’ back telepathically and between the two of them they convinced me that they actually had a psychic rapport.

Blood is played by Tiger, whose major role everybody remembers him in is playing the family dog of “The Brady Bunch”.  But here he actually gets a chance to act and I don’t say that lightly.  A lot of the movie hangs on how Blood reacts to Vic and to give Tiger his credit; he’s just as much of an actor as Don Johnson.  There are a lot of great scenes between them where the dog actually looks as if he’s really ‘talking’ telepathically to Johnson and having a psychic conversation with him.  And Johnson adds to the realism because he treats Tiger just as he would any other actor.  It’s really some nice acting here.  Not great.  But just enough to get across the reality of the situation.  Jason Robards really doesn’t have much to do in this movie and during my research for this review I found out that he really just did the movie as a favor to the director, L.Q. Jones.

Speaking of L.Q. Jones, he’s much better known as an actor.  He’s been in a ton of westerns including two of my favorites: “The Wild Bunch” and “Lone Wolf McQuade” (yes, “Lone Wolf McQuade” is a western) but he occasionally directed movies and TV shows with A BOY AND HIS DOG as his best known directorial effort.  And with good reason.  It’s a really good movie.  Low budget, high enthusiasm, minimum SFX, high concept.  The performances are good and there’s a down-and-dirty realism that you just don’t see in Science Fiction movies today.  I have it in my DVD library and I realize that it may not be to everybody’s taste but I think you ought to at least give it a viewing.

One thing I think I should advise you of, though: In our (shudder) PC obsessed society, the character of Vic may not be to everybody’s liking as no punches are pulled as he’s portrayed as a rapist and a killer.  And then there’s that ending.  So if you think you would be offended watching a movie with such a character as the lead, by all means pass this one by.

91 Minutes

Rated: R