Captain America: Civil War



Marvel Studios/Walt Disney Studios

Directed by Anthony Russo & Joe Russo

Produced by Kevin Feige

Screenplay by Christopher Markus/Stephen McFeely

Based on “Captain America” created by Jack Kirby & Joe Simon

If you had asked me a couple of days ago what my favorite Marvel movie is, I’d have said with no hesitation at all; “The Avengers.” But that was before I saw CAPTAIN AMERICA: CIVIL WAR. I am now prepared to not only proclaim that not only is CAPTAIN AMERICA: CIVIL WAR is the best of the Marvel Cinematic Universe movies but also that it just may be the best superhero movie made to date, period.

I might have said this before in my reviews of “Captain America: The First Avenger” and “Captain America: The Winter Soldier” but it bears repeating, I think. One of the strengths of the MCU is that movies featuring characters in their solo movies take their time to explore the worlds in which these characters operate. So Iron Man movies are about technology and ways they can be used or misused for good or evil. Thor movies are full of mythology, fantasy and cosmic adventures. And Captain America movies are about political struggles, the role of government intelligence agencies in modern warfare which is so different from the way Steve Rogers knew war back in World War II. And morals are always at the forefront of a Captain America movie. I don’t think it’s a coincidence that Captain America movies are so popular now because Steve Rogers embodies a way of life and adherence to core beliefs and morals that we as a country and people have gotten away from but desperately long to get back to. But not Cap. He’s The Last Stand-Up Guy and he’s not ashamed of it either.


Captain America/Steve Rogers (Chris Evans) is engaged in a covert mission in Lagos. His job is to keep a biological weapon out of the hands of Crossbones/Brock Rumlow (Frank Grillo.) Cap has brought along as backup The Black Widow/Natasha Romanoff (Scarlett Johansson) The Falcon/Sam Wilson (Anthony Mackie) and The Scarlet Witch/ Wanda Maximoff (Elizabeth Olsen.)

They do manage to secure the biological weapon but during the intense fighting, Wanda accidentally destroys an office building which kills a dozen citizens of the isolationist African country Wakanda. This brings King T’Chaka (John Kani) and his son T’Challa (Chadwick Boseman) to spearhead what comes to be known as The Sokovia Accords. U.S. Secretary of State Thaddeus ‘Thunderbolt’ Ross (William Hurt) presents The Sokovia Accords to The Avengers. If they agree to it and sign it, a United Nations panel will control their activities and supervise The Avengers.

Steve thinks it’s a lousy idea and is surprised that Tony Stark/Iron Man (Robert Downey, Jr.) is all for it. Tony is obviously still dealing with PTSD brought on by not just the Chitauri Invasion of New York but the events of “Avengers: Age of Ultron” as well. Unbeknownst to his friends, Tony’s many chickens have all come home to roost in a big way and that is why he insists that The Avengers sign and abide by The Sokovia Accords.


The situation grows even more hostile and volatile when the representatives of over a hundred countries meet an a conference in Vienna to ratify The Sokovia Accords. The conference is bombed and all the evidence points to James Buchanan Barnes/Bucky/The Winter Soldier (Sebastian Stan) as the bomber. This situation divides The Avengers even more as Steve believes that Bucky shouldn’t be held responsible for crimes he committed while in a brainwashed state as The Winter Solider.


The Black Widow, War Machine/James Rhodes (Don Cheadle ) The Vision (Paul Bettany) and Spider-Man/Peter Parker take Stark’s side while The Falcon, The Scarlet Witch, Hawkeye/Clint Barton (Jeremy Renner) and Ant-Man/Scott Lang (Paul Rudd) side with Captain America. The battle lines are drawn but there two wild cards in the deck; T’Challa has inherited not only the kingship of Wakanda but the heritage of The Black Panther as well. His agenda does not exactly line up with either Captain America’s or Iron Man’s as he is driven by pure vengeance to exact punishment on the murderer of his father.


And in the background, quietly and methodically working on a plan to destroy The Avengers is a man named Zemo…not the one you’re thinking of. But he is no less dangerous. One of the jaw-dropping moments in this movie that is full of them is watching how Zemo manipulates every other character.

I’m not gonna pussyfoot around on this one; CAPTAIN AMERICA: CIVIL WAR is such a finely crafted piece of superhero cinema I honestly am in awe of what the directors, writers and cast have done here. The movie works as both a Captain America solo movie and as an Avengers movie as well, which in itself is no small feat. There’s an exceptionally large cast of characters packed in here but everybody gets a chance to shine. I appreciated how the movie slowed down for such treats as the conversation The Vision and Wanda have while they bond over cooking dinner. I loved the scene where Rhodey and Sam are arguing their points of views about The Sokovia Accords. Remember that these are two black men who have both served in the U.S. military. But they have very different ideas about the role The Avengers should play in the world. And while we’re on the subject, when was the last time you saw a superhero movie that had three black superheroes in prominent roles?


The discussions the characters have about The Sokovia Accords, their responsibility in how they use their powers and their views on how the public sees them now is something that I found fascinating. The world governments are starting to think that maybe superheroes really aren’t all that nice to have around since they seem to attract death and destruction (something that The Vision himself points out in one of the movie’s best scenes.)

CAPTAIN AMERICA: CIVIL WAR manages to give us the superhero action we crave (the Free-For-All Brawl at the airport is now the greatest superhero fight scene EVER.) while giving us plenty of deeper emotional stuff such as The Avengers having to deal with the consequences of their actions. The world has united in their demand that The Avengers simply not level cities and then go home in time for Corn Flakes and watching Captain Kangaroo.


And I have been waiting all my life to see The Black Panther on a movie screen and now I have. Chadwick Boseman (along with Paul Rudd) walks away with the MVP award. And you all know how I feel about Chris Evans. The guy IS Captain America. ‘Nuff Said. And let me just say that I have never been a big Spider-Man fan but after seeing Tom Holland as Peter Parker/Spider-Man and his smokin’ hot Aunt May (Marisa Tomei) I wouldn’t mind going to see the next Spider-Man movie.


Bottom Line: CAPTAIN AMERICA: CIVIL WAR is spectacular entertainment from start to finish. I judge superhero movies by this: do they make me feel the same sense of excitement and wonder that I got from reading the comic books when I was 12 years old? Do they put me in touch with those feelings I got on a Saturday afternoon when I pulled out a stack of of my favorite comics books and read them for hours on end? CAPTAIN AMERICA: CIVIL WAR does indeed make me feel that way. Most movie series decrease in imagination, excitement and pure fun. Not this one. Each succeeding Captain America movie has been better than the one before and CAPTAIN AMERICA: CIVIL WAR is no exception.



Captain America: Civil War Guest Review by Sean E. Ali

I know what you’re thinking…”But..but…Derrick! Where’s your review of CAPTAIN AMERICA: CIVIL WAR?” Well, it’s hard to review a movie I haven’t seen yet. And I won’t be seeing CIVIL WAR until this Tuesday or Wednesday. I very rarely go see movies the day or weekend they open. I’m long past the age where it was exciting to go see a movie with a crowd. I much prefer going during the week and catching a matinee where the theater is a whole lot emptier and quieter.

But thankfully, Sean E. Ali has caught the movie reviewing bug and based on the numbers his previous reviews of “Batman V Superman” and “Keanu” have been racking up, you guys have been enjoying them greatly. So here he is again with his review of CAPTAIN AMERICA: CIVIL WAR. Enjoy!

From the “Life During Wartime” File…

Don’t want CAPTAIN AMERICA: CIVIL WAR spoiled at all?

Then run away, run away now!

After that, I blame Derrick Ferguson for this epic novella that you’ll be reading from this point on…

…he’s got me in the habit of writing one of these whether I want to or not now…

…but feel free to read or ignore until I dig up the next “Moment of Utter Coolness”…

Now, let’s begin…

Here’s why Marvel’s CAPTAIN AMERICA: CIVIL WAR will work out better than Warner Brothers/DC’s “Batman V Superman”…


Sure it was also a superior storyline, better characterization, the right mix of seriousness, light moments and action (in other words all of the things missing from “Batman V Superman”), but it was all because Marvel played a long slow hand over tossing all their chips on the table in the hopes of grabbing a big pot with little effort.

The game, as they have played it to date, has been a successful one. Marvel Studios have released 13 films and for the most part, those films have garnered generally positive reactions from the audience and the critics. And yes, I hear you “Iron Man 3” haters screaming but I’m one of those folks who dug the film despite its shortcomings and it’s possible CAPTAIN AMERICA: CIVIL WAR is the best of their releases since “The Avengers.”


Now of course the film isn’t absolutely perfect…

…okay I’m just saying that for you nit pickers later, I could care less about the flaws; this film blows everything else out the water in its genre.

Except for disguises. Seriously whenever Steve Rogers goes underground, the authorities should just start grabbing athletically built blond guys wearing windbreakers, baseball caps and dark glasses…

C’mon, you know I’m right!

Seriously, throw me a friggin’ bone here, Marvel, hair coloring, wigs, those old school Groucho Marx glasses mustache combos…

Call Tom Cruise and get Ethan Hunt in with the tearaway facemasks already!

Now this is the part where SPOILERS may come up so be ALERT

If you want to go watch it first then debate the points later, feel free to run to the theater, buy a big bag of popcorn (butter in between, please) and enjoy the show.

Don’t worry about me, I’m sure I can occupy my time until you get back…

Just don’t call me a SPOILER because you weren’t ALERT

So go ahead…



Put on my waiting for folks to get back playlist…



Y’know, in the old days on those ancient BBS circuits, you used to have to type out “SPOILER SPACE” when you didn’t want folks to immediately see something that might have been spoiler like in nature…

You’d think we’d have just gone with SPOILER ALERT then, but we didn’t…

…kind of silly how I just sort of drifted onto that train of thought…

I’m sorry, what was the question?



And, you’re back!

The film rocked, right?!

Or did you even go see it before I wasted my time above…?

Well whichever, too late run, because here we go…

The film opens with a flashback in 1991 where we see your Winter Soldier and mine having a bunch of random words read to him from a book while he does the default animal scream bit. These words are apparently some kind of trigger reset (or gibberish he’s just really sick of hearing when he asked for Samuel L. Jackson’s reading of GO THE F*CK TO SLEEP) because he’s about to go on a mission. The job involves running a car off a lonely road and into a tree. In what is possibly a nod to current events on “Agents of SHIELD”, the Soldier removes several packages with blue fluid in them, he looks properly slowly faced and we bring up the title credits…


…in the present day, the Avengers are on a covert tracking mission in Lagos. The team assembled is Cap, Black Widow, the Falcon and Scarlet Witch (I’m guessing War Machine was off doing military stuff and Vision was trying on cardigans… just go see the flick for that part) they are looking for a group of terrorists who have been hitting police stations across the land lead by Crossbones, the guy who fought Falcon and was the second in command of Cap’s commando group in “Captain America: The Winter Soldier”. An anticipated attack happens, our heroes spring into action, a great scene showing the teamwork this new batch of Avengers have picked up since they got together in “Avengers: Age of Ultron”, the Falcon and Black Widow have a pretty decent chase scene and then…

…well let’s just say things kind of blew up in a bad way and leave it there.


In the aftermath of their latest adventure, the public is starting to question whether or not having superheroes roaming the world willy nilly is such a good idea. The Avengers it seems have been doing a fairly decent job of saving the world, but not so good at collateral damage or public relations damage control. As we’ve already seen in “Avengers: Age of Ultron”, the team isn’t looked upon favorably in a few places. Tony Stark alone is associated with weapons of war that he once manufactured that are still in use by military forces and other less legitimate groups across the globe. The fact that they bounce around the world leaving a lot of smoking craters in their wake, answerable to no one has folks on edge. With what happens in Lagos being the latest incident of a bad thing happening while doing a good thing. The governments of the world are no longer able to turn a blind eye to the issue as the latest… mistake kills members of a delegation from Wakanda, a reclusive African nation that has recently made gestures indicating their willingness to participate on a larger world stage.

Meanwhile, after a brief bit of backstory in an interlude on the holodeck (no we didn’t leave this film for a “Star Trek: The Next Generation” flick, but if we did, Tony Stark invented the holodeck and you’re welcome Captain Picard.) Tony Stark, who is going through a personal crisis or two which he pushes away by hiding behind his work and passing out endowments to fund research for pretty much every student at MIT, is confronted by consequences of the Avengers recent battle against Ultron on a very direct, very personal level while waiting on an elevator. The encounter added with Tony’s own guilt over creating Ultron in the first place, along with his own private troubles and the Avengers latest public disaster leaves him in the right frame of mind for…

…the Sokovia Accords, which is a White Pages phonebook sized way for the rest of the world to say: “Please, oh please, Avengers, could you not blow anything up the next time you save the world? Please and thank you, love, the United Nations.” The Accords would put the Avengers under the header of sanctioned international peacekeeping force, which would be called into a situation only if requested. So basically Interpol but with flashy code names and better toys.

Tony’s hot to get everyone on board so they can put this whole thing in the rear view and shift the burden of responsibility from his team to the world’s governments (“Hey sorry we blew up Bolivia, guys, but remember, YOU called US when Porcupine and the Eel held up that Mom and Pop deli instead of a cop…). He believes that this will give the team sanction to operate with a system of accountability that would foster trust and win back the public. Part of that is driven by his own guilt and Tony shows up to Avengers HQ thinking this is going to be a slam dunk once the rest of the team hears it. Tony’s pitch sells War Machine, Vision, and surprisingly Black Widow, while Scarlet Witch is on the fence and Sam’s not sure either. He just didn’t count on one thing…

…Steve Rogers, Captain America himself, is not on board for this. Given the events of the last film he was in, Steve digs in as the opposing voice, to Tony’s slam dunk proposition. Cap’s fearing that their own interests and agendas could corrupt these governments like the World Council that backed S.H.I.E.L.D only to be duped by HYDRA in purpose. Plus the whole superhero thing is all about being able to respond to a world class threat without going through a ton of red tape. Granted the battles of the Avengers both as a group and on their individual capers have occasionally brought their fair share of collateral damage but as Steve tells Tony, he feels the safest hands to determine where they go to prevent even greater loss of life are their own.

Their debate is ended by an unexpected interlude as Steve is called away on a personal duty where he gets a sort of affirmation that his point of view, while unpopular with some of his peers, is the correct course of action. As this scene closes, The Widow shows up and lets Steve know she’s on her way to sign the Accords as the Avengers representative along with Tony. She asks Steve to join them and he turns her down. Sam sticks with his partner and the lines are quietly drawn…

At the signing, we meet up with a few folks, but the biggest deal of the day is the contingent from Wakanda, fronted by King T’Chaka and his son T’Challa. T’Chaka is there in the spirit of good faith with the hope that this will signal a new chapter in peaceful cooperation with the world at large and the Avengers who want to protect that world…


…since this is a Marvel flick, we don’t get that peace. The meeting has barely begun when there is an explosion hat kills several members in attendance. The culprit is identified shortly after the event: the Winter Soldier, or as Captain America knows him, James Buchanan (“Bucky”) Barnes his one time best friend. The Avengers, now led by Iron Man, are tasked with bringing the Soldier in. Cap and the Falcon are also trying to get to the Soldier to determine if he really were responsible. And as the two head towards each other on an inevitable collision course, a third party has joined the hunt, a man dressed in black who is determined to beat them both and kill the Soldier…

…and in the background is another player that most Captain America comic book fans will recognize by his family name…


Which is a good place to end the spoiler stuff.

CAPTAIN AMERICA: CIVIL WAR is a nicely done piece for this genre. It’s a well told and highly enjoyable story. The characters have clear motivations, introduces newcomers to the MCU: The Black Panther and the most amazingly accurate portrayals of Peter Parker and Spider-Man I’ve ever had the pleasure of watching (or ignoring when the too damn fine for words Marisa Tormei was on the screen playing Aunt May like Mary Jane Watson.) And the story was much deeper than the usual “let’s team up and beat the crap out of those guys” Marvel films. The hard core DC fans who said that Marvel is just big dumb fun apparently have missed the last Captain America film and will probably miss this one to avoid being proved wrong.


If you’ve been on this ride for the last eight years you’ve watched these characters grow into the people they are now so the Tony Stark we met way back in “Iron Man” is still with us, but he’s been seasoned by his experiences. Plus Robert Downey Jr. sells the role because, let’s face it, Tony’s path mirrors his own life including the search for redemption part. Chris Evans is pitch perfect, as always, as Captain America who is still a man out a different time who has run out of time as he becomes an outlaw to save his friend. Since it’s a Captain America film, we get his supporting cast more than anyone else’s so Anthony Mackie is there as the Falcon for the bulk of the game and Sebastian Stan mixes in nicely as he plays Bucky getting slowly back to the guy we first met in initial Captain America movie. The rest of the gang does their part well, especially Jeremy Renner has finally become a fully realized character as Clint “Hawkeye” Barton over his other appearances in the role to date.


CAPTAIN AMERICA: CIVIL WAR is “Captain America 3”, “Iron Man 4”, and a prequel to both “Black Panther” and “Spider-Man” without getting bogged down with all the extra heroes. The way the film was directed gives me confidence for this team since they will be doing the next big pair of “Avengers” movies where the character count is expected to be higher. The film also tackles the very thing detractors of the Marvel films say they don’t cover and that “Batman V Superman” didn’t really cover: the consequences of their actions so far.

The CIVIL WAR theme was subtly played out on a few levels, outside of the main conflict. you had Tony Stark wrestling with his conscience, Steve Rogers with his loyalty to his friends old and new and his remaining true to his ideals, sure those are a given just below the battle of authority versus autonomy or the oversimplified version: security versus freedom in a post 9/11 and post-Patriot Act world. Tony wants something he built to not be headed on the road to destruction and ruin and the Avengers are part of his legacy to build a better world. Steve’s need to do what he feels is right to stand up for the little guy against those who would try to dominate and bully them is at the core of his character. But both men are suffering from knee jerk overreactions, which force knee jerk overreaches in their respective philosophies. They’re both right to a degree and they’re both wrong to a degree with an answer somewhere in between. But, as it goes with most overreactions, everyone’s going from the gut with emotions hot where there should be cooler heads. Time out isn’t really an option when you’re dealing with people who could literally level a city faster than a DC movie.


But dig a little deeper because I’m fairly sure that even the writers and the Russos didn’t notice all the other things set into motion that the actors brought out in their parts of the conflict. You had Natasha Romanov’s conflicted nature literally making her a double agent by way of stream of consciousness as she struggled to decide what side she wanted to stand on. Scarlett Johansson’s Black Widow is long overdue for a solo film and, as she shows here, we’d be lucky to get one while she’s still on the clock. Natasha is literally our insider audience watching the same show we are and being equally conflicted about what team to stand on as she sees the extremes her friends go through defending their positions. As I said earlier, Jeremy Renner’s Clint Barton steps up and stands by Cap even if it cost him his family while he fights to keep the government overreach away from that side of his life. While it wasn’t covered until later, Hawkeye’s motivation is simple enough: Stark’s betrayed them and Rogers hasn’t. Spider-Man is introduced as a kid struggling with his power and responsibility suddenly thrust upon him as is T’Challa who is the same position with a radically different scale to deal with. One represents youthful idealism overwhelmed but determined to do his best, the other is youthful pragmatism tempered by a wariness that comes from isolation. Both are pushed into this conflict through tragedy, both are trying to work out exactly what they’re supposed to do now that they’ve lost the the respective role models that shaped their lives. Bucky struggles to become the man he was when he was one of Captain America’s Howling Commandos, but before the film ends is faced with his past as an assassin returning to haunt him and the knowledge that even despite his situation, his redemption may never balance the scales enough in the eyes of those affected by his actions…

Even the characters without a conflict like War Machine, who, in a way, pays the highest price in this affair physically, or Sam Wilson’s Falcon who finds out that the price for loyalty is sometimes tragedy even when it involves superheroes, are on opposite sides because of their respective experiences in their lives. Both men are military, both have seen active combat, both are pilots, both understand the chain of command and its purpose for maintain discipline and order in the ranks, and both think their partners in crimefighting have the correct view. If there is a reason for the separation that I can find, it’s where we meet Sam in his introduction to the MCU as opposed to Rhodey when he came on the scene at the very beginning. Rhodey’s active military, he’s a combat pilot, a high level officer and already at the beck and call of the U.S. Government. If anyone’s a poster boy for a registration program, this is the guy. Sam Wilson, on the other hand, is a former medic, as well as a soldier. When he shows up in “Winter Soldier” he’s mustered out of the service and is a vet helping other vets deal with things like PTSD. He’s part of the family, but no longer interested in going into a forward area because of the political agendas of politicians who will never and, in most cases have never, had to deal with the reality of armed combat and the unique version of hell that truly is. So while they don’t fight with the same passion as the leads, they have in their previous appearances logical reasons for taking specific sides other than being the sidekick.


But if you really squint a little, you can see (or maybe “create” is a better word) real world associations all over the place. When Tony is confronted over the Avengers actions in their fight with Ultron, I felt like that was not only a quiet nod to the upcoming “Luke Cage” series on Netflix, but also a Black Lives Matter moment. The fight in Lagos not only set up the foundation for the film, but it could be quietly interpreted as a statement on US foreign policy with regard to foreign wars. Specifically with how the US deals with African and Middle Eastern conflicts right down to their not giving losses of life and collateral damage there the same priority as the loss of a fictional European nation blown up by a robot…

…and oddly enough was also a sort of Blue Lives Matter moment.

There are other reaches in there, and your mileage may vary based on your creativity and ability to imagine things not actually in evidence, but CAPTAIN AMERICA: CIVIL WAR is a damn sight more subtle and intellectual than you’d like to believe…

…if you convince yourself of that.

You have all these disparate elements flying around and you are able to track them all, and appreciate them all. You’ve been with these guys for the bulk of their runs so all the groundwork has been laid. By the time we get down to the final act there’s a twist takes the whole idea of conflict down to its most basic level. The plot changes the whys and wherefores for Bucky, Iron Man and Captain America which takes everything we’ve already seen to this point and flips it on its head and makes it personal for all three…

…and then there’s still another twist that takes this film from the usual superhero flick is contained in a final serious spoiler that you should ignore if you really don’t want to know…

Ready? Then here we go…

…well maybe I won’t after all, that might be a little too much.

No really, watch the film through to the end and you’ll realize pretty quickly, despite the resolutions of various plot lines it all boils down to a final truth you’ll figure out with Zemo’s last lines in the film.


If you don’t I might have to find you and smack you upside the head before grabbing you by the earlobe and walking you into a seat myself.

If you’re a fan you’re probably already on your way. If you’re a fan of the Distinguished Competition and trying to hold out to make a point that “Batman V Superman” was better…

…just go already, friend, you’re not fooling anyone.

Don’t worry though, DC finally did something bright by bringing in Ben Affleck as an Executive Producer on the “Justice League” movie so you folks should have plenty to cheer about in a year or two…

…until then, why don’t you come on in the theater this weekend and see how it’s done…

…I’m looking over at you Zack Snyder and David Goyer.

CAPTAIN AMERICA: CIVIL WAR is everything “Batman V Superman” should’ve been…

…and it’s everything you expect from Marvel…

…and it changes everything, for real, for the next phase of the MCU because every character that went in does not come out of the film unchanged.

Plus it’s a heck of an adventure.

I think I’ll walk down the street and see it again right now…

I’ll even save you a seat.

Enjoy the show with my compliments.


Abraham Lincoln: Vampire Hunter



20th Century Fox

Directed by Timur Bekmambetov

Produced by Timur Bekmambetov, Tim Burton and Jim Lemley

Screenplay by Seth Grahame-Smith based on his novel “Abraham Lincoln: Vampire Hunter”

Two things before I jump into this review:

1) I’ve read on the Internet and heard from friends of mine about how historically inaccurate the movie is. Folks, if you’re expecting historical accuracy from a movie titled ABRAHAM LINCOLN: VAMPIRE HUNTER then you most certainly are watching the wrong movie. You need to be watching 1940’s “Abe Lincoln In Illinois” starring Raymond Massey as Abe Lincoln. Seriously. It’s an excellent movie that I’ve seen about two or three times now on Turner Classic Movies. It’s well worth your time.

2) People complaining that the movie wasn’t like the book. Sigh. Folks, haven’t we grown past that by now? True, I haven’t read the book but now, having seen the movie I plan to. But from what I know of the book the only way it could have been done justice was as a six hour miniseries on HBO and Showtime. Would that have been better than the 1hr. 45 minute movie we do have? I dunno. But I do think it worth pointing out that the same guy who wrote the book wrote the screenplay. I like to think he’s an intelligent enough writer to have realized that novels and theatrical movies are two different mediums and what works for one may not necessarily work for the other. Bottom line is all I know is that I enjoyed and respected ABRAHAM LINCOLN: VAMPIRE HUNTER the movie for what I got out of it: It’s a superhero movie in historical/vampire/horror movie drag.

We’re introduced to Abraham Lincoln (Benjamin Walker) as a boy living and working with his parents on a southern plantation owned by Jack Barts (Marton Csokas) Barts is a vampire who kills Lincoln’s mother and the grief stricken youth sets out on afailed attempt to get revenge ten years later. He’s rescued by the professional fearless vampire killer Henry Sturges (Dominic Cooper) who takes on the young man as an apprentice. Lincoln is no good with conventional weapons like guns or knives but he’s a regular Jet Li with an axe. Henry develops an unconventional fighting style for Lincoln using the axe and then sends him out into the world to kill vampires. Well, Abe does that in spectacular style and he also finds time to enter politics and romance Mary Todd (Mary Elizabeth Winstead)


Now here’s when things get more than a little wacky: turns out there’s this vast secret vampire empire led by The First Vampire, Adam (Rufus Sewell) that controls the southern United States. Slaves are used not only as labor for the humans but as food for the vampires. The movie gives us the outrageous notion that Lincoln became President and fought The Civil War not just to end slavery but to break the back of this secret vampire empire. The tide of The Civil War is turning against The North but President Abraham Lincoln has one desperate ploy left: a trainload of silver that is deadly to vampires that he has to get to the Union Army at Gettysburg. Armed with his trusty axe as well as his faithful sidekicks (Anthony Mackie and Jimmi Simpson) can Honest Abe defeat Adam and his vampire hoard and still get to Gettysburg in time to deliver his address?

I think the thing I admire most about ABRAHAM LINCOLN: VAMPIRE HUNTER is that no matter how silly and how ridiculous things got, the actors kept a straight face and played the material with respect for what they were doing. And yes, it is an outrageously silly movie. It’s the kind of movie where even though this takes place in 19th Century America, everybody and I do mean EVERYBODY knows Kung Fu. Abraham Lincoln takes hits to the chest that throws him a good fifty feet but he gets up as if nothing happened and proceeds to kick vampire ass with relish.


You won’t get a bad word out of me about the acting. Benjamin Walker looks and acts so much like Liam Neeson in some scenes it’s scary. And he gives the role all he has. In fact, he gives it more than he really has to but to me that only showed how committed he was to selling us on his incarnation of Honest Abe Lincoln as Vampire Hunting Superhero. Anthony Mackie, Dominic Cooper, Jimmi Simpson and Mary Elizabeth Winstead all turn in solid performances. If there is a complaint I have it’s that Rufus Sewell isn’t given enough to do. But then again, I never think Rufus Sewell is given enough to do.

The action sequences are absolutely jaw-dropping if totally impossible and again, that’s what lends to the superhero aspect of the movie. There’s a fight Honest Abe has with a vampire in the middle of a stampede of hundreds of wild stallions that has to be seen to be believed and the entire train sequence near the movie’s end has already become legendary.


So should you see ABRAHAM LINCOLN: VAMPIRE HUNTER? I say yes. It’s a really bizarre mixture of outrageously mashed-up historical/fantasy material married up to serious acting and flavored with incredible action/fight sequences that you would expect to see in a Hong Kong Kung Fu flick. You might not like it but I can guarantee you one thing: you will not be bored. It’s got an amazingly strong visual style and more than any movie I can think of in recent memory it plays like a live action graphic novel. I had a good time watching it and I think that if you approach it in the right mood, you will too. Enjoy.

Rated R

105 Minutes

The Adjustment Bureau


Universal Pictures

Directed and Screenplay written by George Nolfi

Produced by Chris Moore

Based on the short story “Adjustment Team” by Philip K. Dick

There’s nothing I love better than being surprised by a movie.  I’ve seen so many for so many years that I admit I’ve gotten pretty cocky about being able to tell how most movies are going to go about thirty minutes in.  I’m happy to say that didn’t happen with THE ADJUSTMENT BUREAU.  How could I have guessed that a paranoid conspiracy thriller was just a disguise for a love story about the nature of free will?

David Norris (Matt Damon) is a politician from Brooklyn, NY running for the United States Senate.  He’s embraced by the public who love his youth, his energy and his boyish optimism.  None of that helps when an embarrassing incident from his past catches up with him and he loses the election.  It’s when he’s at this darkest moment that he meets Elise Sellas (Emily Blunt) who’s hiding in a stall in the men’s room.  They hit it off to such an amazing degree that David is inspired to go out and give a concession speech that’s better than most victory speeches.

David goes to work for his campaign manager with an eye to make another Senate run a few years down the road and believe it or not, one day while riding the bus to work he sits right down next to Elise.  This despite the best efforts of a group of men who dress like Madison Avenue advertising executives led by Richardson (John Slattery).  They carry small black books whose pages are filled with complicated designs that shift and move on their own.  They have the ability to teleport great distances simply by walking through certain doorways.  They can influence and cause seemingly random events to occur.  They can read minds.  They make cryptic references to ‘The Plan’ and they seem extremely interested in keeping David away from Elise.  Indeed, they go so far as to explain to David who and what they are.

They work for The Adjustment Bureau and their job is to make sure that everybody’s life goes according to ‘The Plan’.  David asks if they’re angels.  “We prefer to think of ourselves as caseworkers.” replies Harry (Anthony Mackie) who is unusually sympathetic to David’s case.  He’s certainly an easier caseworker to deal with than Thompson (Terrence Stamp).  Nicknamed ‘The Hammer’ he’s called in to deal with David’s case when despite every effort of The Adjustment Bureau, David keeps meeting Elise.  David’s screwing around with ‘The Plan’ as he and Elise were only supposed to meet once and never again.  And if David keeps on screwing around with ‘The Plan’ then Thompson is going to be forced to demonstrate to David exactly how he got his nickname…

THE ADJUSTMENT BUREAU really blindsided me in a good way.  I expected automatic weapons and car chases halfway through the movie.  Instead what I got was a really intelligent discussion between David and Thompson on the nature of free will and does mankind truly possess it or not.  Due to the acting power of Matt Damon and Terence Stamp it’s a discussion just as thrilling as any car chase.  Not that we don’t get a great chase where David learns how to use the doors himself and with Elise is pursued all over New York, trying to stay one step ahead of Thompson and The Adjustment Bureau.  It’s just that the whole point of the movie isn’t chases or explosions.  It’s about a man willing to defy forces greater than himself for True Love.

I don’t think I’ll ever be able to watch “Mad Men” with a straight face after this movie since John Slattery looks as if he came right from the set of that TV show to do this movie.  He’s quietly amusing, playing Richardson as an overworked bureaucrat who just wants the paperwork to be straight.  Anthony Mackie has a pivotal role in the movie that he’s more than able to handle and it’s from his character that we get a lot of the information about The Adjustment Bureau and how it works.

But the movie wouldn’t work without the chemistry between Matt Damon and Emily Blunt.  Yeah, their Meet Cute is an eye-roller but given what is learned later on, it makes sense.  If the chemistry between them doesn’t work, it’s not going to sell the story.  Fortunately, it did for me.  Their courtship is sweet and simple.  It’s the outside forces trying to keep them apart that complicate things.  Matt Damon really is a wonderful actor.  He can do comedy and drama and he never appears to be working hard at either.  Emily Blunt I’ve enjoyed more in movies like “Sunshine Cleaning” “Boudica” and “Charlie Wilson’s War” but that’s not to say she isn’t good here.

So should you see THE ADJUSTMENT BUREAU?  Absolutely.  It’s a remarkably smart movie with good, solid performances and a mind-bending premise solidly rooted in a love story where the protagonists truly deserve to be in love because of what they do, not just because the girl can crinkle her nose just so cutesy-poo or because the guy’s a hunk.  Highly recommended.

106 minutes

Rated PG-13