Loosely Exactly Nicole

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2016

MTV

Created by Christian Lander/Christine Zander

Executive Producer: Ave Gilbert

Producer: Christian Lander

Season 1/10 Episodes

I know what you’re thinking (to quote my favorite TV private eye Thomas Magnum) “why is Derrick reviewing a TV show? He reviews movies!” Well, that’s true but since this is my blog I reserve the right to review anything and everything on film that catches my attention and that I think you guys might like. And this is a TV show that hasn’t got a lot of reviews or promotion and I think that a lot of you that read my reviews might like.

First of all: how did I find the show? I’m really not a big fan of modern sitcoms because they all have a depressing sameness and they just simply are not funny. My One Rule for comedies whether they be sitcoms or movies is that they make me laugh. I have no use at all for a sitcom that doesn’t make me laugh. Even if the premise isn’t all that funny, if the actors involved are making me laugh, I’ll watch it. Such as “Mom” which stars Allison Janney and Anna Faris who starred in one of the funniest movies I’ve ever seen; “Smiley Face.” The chemistry between Allison Janney and Anna Faris is what makes that show and if you’re not watching it then you’re really missing out because the two of them are the best comedy team working in television today.

But I came upon LOOSELY EXACTLY NICOLE thanks to my wife, the lovely and talented Patricia Cabbagestalk Ferguson. Say hi to the folks, Patricia…

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Usually Patricia doesn’t make recommendations as to what I should review. She’s good like that. Oh, she reads my reviews and tells me when she thinks I made a bad call but this is my thing and she leaves me to it. So when she recommends I watch and review something, I sit up and pay attention because she doesn’t make a suggestion lightly. And after watching the first season of LOOSELY EXACTLY NICOLE I understand why she suggested it to me.

And it’s not just because she knows I have a weakness for full figured women (Mrs. Ferguson is quite the curvy girl herself, nudge nudge wink wink) but she knows I like unique, smart and above all, funny women and sitcoms and LOOSELY EXACTLY NICOLE is all that and a bag of chips.

Nicole Byer (Nicole Byer) is a struggling actress in L.A. Her best friends are Devin (Jacob Wysocki) who’s her roommate and Veronica (Jen D’Angelo). And when I saw Nicole and Veronica together for the first time, I understood why Patricia suggested I watch this show. Because Veronica is thin and blond while Nicole is full-figured and black. If this were a sitcom on ABC, NBC or CBS, Veronica would be the lead character and Nicole her sassy black sidekick. Not in this world. Nicole is the lead and Veronica is her sidekick. Soon as I saw that I sat up and paid attention.

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As I watched more of the episodes I appreciated how they dealt with Nicole’s sexuality. Sure, she’s a full-figured woman but she’s portrayed as being sexually desirable to men and she openly and unashamedly enjoys casual, recreational sex. She’s not looking for a relationship or to get married. She just likes sex and likes it with a lot of men. I also liked how her relationships are mainly with hot white guys. Hey, what’s good for the goose is good for the gander, right? And if black guys can be depicted in movies and TV shows having sexual relationships with hot white girls then why can’t black women be shown doing the same with hot white guys?

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And it’s refreshing to watch a comedy that isn’t afraid to go into areas I haven’t seen sitcoms go into before. There’s an episode where Nicole teaches Veronica how to negotiate with black hairdressers to get the hairstyle you want for the lowest price that left both Patricia and I on the floor helpless with laughter because it’s true. There’s another episode that I know couldn’t have been done on network TV as it dealt with Veronica having to instruct Devin (who is gay) on how to give a proper blowjob as Devin is enjoying giving blowjobs too much. Yeah, I know how that sounds and you’ll just have to see the episode for yourself. I also like how the show doesn’t shy away from the reason that Nicole isn’t more of a success as an actress is that she’s a really lousy actress and pretty much a screw-up at life period.

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But Nicole Byer is so outrageously charming and ridiculously vulgar I couldn’t help but be enchanted with her from the first episode and I was hooked. I really love her confident sexuality and that she’s not afraid to be downright goofy in the pursuit of getting a laugh. If you’re looking for a sitcom that’s a bit off the wall and not like your usual sitcom then I Highly Recommend LOOSELY EXACTLY NICOLE. Here’s a link so you can watch the show online: LOOSELY EXACTLY NICOLE

But be warned: LOOSELY EXACTLY NICOLE is most definitely an adult show as far as language goes. It can be quite vulgar and sexually explicit in some episodes so make sure the little ones are in bed before you watch this, okay?

 

 

Breakin’

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1984

Canon Films/MGM/UA Entertainment Company

Directed by Joel Silberg

Produced by Allen DeBevoise/David Zito

Screenplay by Charles Parker/Allen DeBevoise/Gerald Scaife

Music by Michael Boyd/Gary Remal

Those of you who have listened to episodes of Better In the Dark where Tom Deja and I talk about 1980s movies already know how I feel about BREAKIN’. I’ve called it the “Gone With The Wind” and the “Citizen Kane” of breakdance movies. Not that there’s a whole lotta breakdancing movies as a genre to compare it to. But there’s many reasons why we still remember and love BREAKIN’ for what it does. Because what it does it does extraordinarily well and does it with no pretension whatsoever.

Kelly (Lucinda Dickey) is struggling to make it as a dancer in L.A. Along with her friend Adam (Phineas Newborn III) she studies jazz dancer under the tutelage of Franco (Ben Lokey) who believes in strict discipline and classicism when it comes to dance. He also has the hots for Kelly. Kelly wants to be a success and become a professional dancer but there are lines she will not cross. But she does cross one line when she becomes friends with street dancers Ozone (Adolfo “Shabba Doo” Quinones) and Turbo (Michael “Boogaloo Shrimp” Chambers). They may not be classically trained dancers but that doesn’t mean they aren’t the best. And they most certainly are. Except when it comes to battling their dance rivals Electro Rock.1428808894_4.pngOzone and Turbo could more than handle Electro Rock when it was just Poppin’ Pete (Timothy Solomon) and Pop N’ Taco (Bruno Falcon). But then they add a chick, Lil’ Coco (Vidal Rodriguez) and that changes the whole game. It changes it even more when Kelly offers to team up with Ozone and Turbo, forming a group called TKO that incorporates her jazz dance/classic moves with their street dance/breakdance. The results are a whole lot of fun to watch.

And make no mistake; there a solid reason why BREAKIN’ has lasted this long and is so highly regarded as a dance film. Well, by me at least. It’s just downright Fun to watch. And a large part of that is because I was there when all this was going on and it’s a way for me to revisit my past. My friends and I must have gone to see BREAKIN’ at least half a dozen times in the theaters (remember this is 1984. You could see a triple feature on Manhattan’s 42end St. for three bucks) breakin mar %2811%29

I will admit a large part of the reason why we went back to see it repeatedly was Lucinda Dickey. No great actress, she. But damn, she was smokin’ hot. In fact, none of the leads in BREAKIN’ were great actors. But they were authentic and honest and they had charisma and chemistry. Adolfo Quinones and Michael Chambers are like the Green Hornet and Kato of breakdancing. I love the fact that they unabashedly dress like superheroes. Because in their minds, that’s exactly what they are. And they made me believe they were. The relationship between the three characters is what drives a lot of the movie and they sell it. Not through their acting but through their personalities. That gives BREAKIN’ an almost documentary feel at times.

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But then there are other scenes such as Boogaloo Shrimp’s dance with a broom that is a homage to a similar scene Fred Astaire did in one of his movies. Boogaloo Shrimp’s breakdance homage to that scene is just as exhilarating and vital as the original. It’s the very definition of how one piece of art can influence another.

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This is the movie that infamously has Jean-Claude Van Damme as an uncredited dancer. And Christopher McDonald wins the “Who The Hell let HIM In This Movie?” award for this one.

That’s not to say that I can’t find any fault with the movie. Lucinda Dickey and Adolfo Quinones can’t sell the heavy emotional scenes between their characters. And I chalk it up to their simply not having enough experience to do so. But there is one scene where they do sell the emotion. Ozone takes Kelly to watch some street dancers. One of them is a kid on crutches. Despite the fact he does not have the use of his legs, he dances. Ozone points to him and says; “THAT is what dancing is all about. Look at his face.” A face that expresses nothing but pure joy. And that is exactly what BREAKIN’ is about. It’s about the pure joy of dancing. You want to honor what BREAKIN’ represents? Then get up and dance while you’re watching it. When the sound track plays a piece of music like Al Jarreau’s“Boogie Down” or Rufus and Chaka Khan’s “Ain’t Nobody”? get up and dance your ass off.

Rated PG 
1 hr. 30 minutes

 

 

Miracle Mile

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1988

Hemdale Film Corporation

Written and Directed by Steven De Jarnatt

Produced by John Daly/Derek Gibson

Music by Tangerine Dream

Okay. Two things before I get into the story synopsis and summery part of the review. Bear with me for a bit, okay?

First off, I do not care a poobah’s pizzle about spoilers. Really, I don’t. I’ve been watching movies and TV shows long enough that I really can predict where the plot is going and what the characters are going to do. So it takes whole lot to surprise me. That’s not to say that I advocate people spoiling movies and TV shows for others. Which bring me to MIRACLE MILE. Despite it being made almost thirty years ago, the emotional power of the movie rests on you not knowing what its about. And so, unlike other movies made during that year such as “Scrooged” or “They Live” or “Killer Klowns from Outer Space” which everybody knows and is familiar with, MIRACLE MILE absolutely depends on you seeing it with a fresh eye and not knowing what is going to happen next so that you have that “Oh, Shit.” feeling you’ll have when the end credits roll. And if you see it for the first time, trust me…you’ll say, “Oh, Shit.” when the movies ends. If you don’t, you have no soul.

Those who have seen MIRACLE MILE who are reading this are now nodding in agreement with me.

Second, MIRACLE MILE is a movie that comes to my mind when people ask me about my favorite horror movies. You can keep your “Texas Chainsaw Massacre” and “Friday The 13th” as they’re nothing more than gore porn. And if that is your thing, Odin bless you and may Heimdall make your way clear to Midgard. But for me, MIRACLE MILE is the a prime example of the real deal when I talk about horror movies. Because it’s something that could actually happen and something I wonder about and ponder how I would behave if I were in that situation.

MIRACLE MILE begins with a sweet romance between Harry (Anthony Edwards) and Julie (Mare Winningham) who meet up at the La Brea Tar Pus Museum and fall in love at first sight. They spend the day together and make plans to have dinner and go dancing after Julie gets off work at the all-night diner where she works. Due to a power outage, Harry oversleeps and misses the date. He races down to the diner and finds out she’s left for home. Harry goes outside the diner to use a pay phone to call her. The phone rings and Harry picks it up. What he hears changes everything as he thinks it’s a panicky message about how nuclear missiles have been launched and World War III is only 60 minutes away. Harry attempts to find out more is cut off by machine gun fire and a voice on the phone telling him to go back to sleep.

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Harry returns to the diner and informs the other patrons of what he’s heard. Most of them are folks you would expect to find at a diner at 1AM and they don’t believe him. That’s until the chick at the end of the counter (Denise Crosby) who is dressed like a lawyer takes her satellite phone out of her purse, calls a few numbers, asks Harry a few questions and confirms that everybody important in Washington, DC from the President on down to the janitor who cleans the toilet at The Washington Monument is leaving town and heading for everywhere nuclear missles can’t reach.

Everybody immediately scrambles to try to get out of Los Angeles before the missiles hit. But here’s the thing that makes MIRACLE MILE so brilliant: we’re never really sure if what we think is happening is really happening. Are nuclear missiles really coming to turn America into a radioactive wasteland? And does that make any different when we’re so willing to turn on each other and become brutal, bloodthirsty monsters just to survive?

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As far a apocalyptic movies go, MIRACLE MILE is right up there with the best of them. It goes so fast from from being a sweet romance to a horror survivalist movie it’ll make your head burst. I have never been much of an Anthony Edwards fan but damn if he doesn’t nail it with this one. Harry spends most of the running time of the movie trying to to save the life of a girl he’s only known for a few hours but he sells that shit. 90% of the movie rests on his shoulders and he carries it with no problem at all.

And as for for Mare Winningham…sigh…this is an actress who should have enjoyed a more successful carreer. No, she’s not what we could consider conventionally pretty but she’s sexy as hell. And she can act. Mare Winningham can do more with a look than Demi Moore or Courtney Cox can do with three pages of dialog. She’s nothing less than remarkable in MIRACLE MILE

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And if you’ve never seen her in any other movie, watch her in this one.

So should you see MIRACLE MILE? Absolutely YES. It is at once one of the sweetest romantic movies I’ve ever seen and one of the most horrifying movies I’ve ever seen and there ain’t a lot of movie I can say that about.

Rated R

87 Minutes

Billy Jack Goes To Washington

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1977

Taylor-Laughlin

Directed by Tom Laughlin

Produced by Frank Capra, Jr.

Written by Tom Laughlin & Delores Taylor

See, it’s one thing when Billy Jack (Tom Laughlin) goes into a two or three minute monologue about how he’s gonna kick ass and takes his time removing his socks and boots before doing so. Given the conventions of an action movie, we go along with it for the purposes of suspending our disbelief for the duration of the time we are willing inhabit this fictional universe. But when we have JEAN ROBERTS (Delores Taylor) also going into the ritual of removing her socks and boots before kicking ass…well, you done lost me.

And don’t get me wrong. We have seen in the previous movie; “The Trial of Billy Jack” that Jean has been studying hapkido under the tutelage of Bong Soo Han himself, renowned as the ‘Father of Hapkido.’ So I would expect that between that movie and this she has achieved a level of proficiency where she can certainly handle herself if attacked. But removing off her socks and boots while her opponents, all of them trained CIA killers who have knives in their hands assigned to kill her but patiently wait for her to get herself ready to beat their asses…nah.

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But then again, this isn’t the first improbable thing that BILLY JACK GOES TO WASHINGTON wants us to accept. For many years this was the red-headed stepchild of the “Billy Jack” franchise. It only had a very limited theatrical release and really has only enjoyed a wide viewing availability on DVD and via cable/satellite channels such as The Sony Movie Channel which is where I saw it. And for good reason. Whereas “Billy Jack” is a supremely good movie to watch and “The Trial of Billy Jack” is worth watching if you know what you’re getting into, BILLY JACK GOES TO WASHINGTON is worth forgetting.

Through a series of events that are far too complicated for me to relate here in this review as I try and hold them down to a thousand words or less, Billy Jack is appointed a United States Senator to fill out the term of a Senator that has died. Billy Jack quickly decides to use his new found power to propose a bill to fund a national youth camp. Unfortunately for him that land has already been earmarked by the D.C. power elite for a nuclear power plant. Billy Jack counts on the help of an old family friend, Senator Joseph Paine (E.G. Marshall) to achieve this goal but Paine is under the control of Mr. Bailey (Sam Wanamaker) who holds no political office but does hold the balls of Senators and Congressmen in his pocket.

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Billy Jack refuses to play political ball and decides to take to the Senate floor to get his message out. In a stirring filibuster in which we see that Tom Laughlin tries his best to invoke the spirit of Jimmy Stewart and grab an Academy Award attempts to save his youth camp and expose the evils of Big Corporation.

Now, don’t get me wrong…I fully understand that all of Tom Laughlin’s Billy Jack movies are his platform for his political views. And in the case of “Billy Jack” and even “The Trial of Billy Jack” I appreciate and understand what he did. Especially in the the case of “Billy Jack” which is a pretty damn good movie when taken on its own terms.  But this movie? MEH.

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My recommendation? Watch “Born Losers” “Billy Jack” and “The Trial of Billy Jack” and leave it at that. There’s an excellent reason why BILLY JACK GOES TO WASHINGTON was unseen for many years and it’s the best reason of all. It’s not a good movie. Even though it boasts A-List actors such as E.G. Marshall, Sam Wanamaker and Pat O’Brien it also give the spotlight to Lucie Arnaz. And in this movie she demonstrates that she has neither the looks nor talent of her parents and we can easily see why she never had a career to equal theirs.

But Tom Laughlin and Delores Taylor are always watchable. They are these characters and that gives them a reality that’s worth watching. I did enjoy seeing Teresa Laughlin as Carol as I like seeing how that character has grown and developed from a folk-song singing kid in “Billy Jack” to being Jean’s unofficial second-in-command to the point that there are a couple of times in the movie where Billy Jack asks for her opinion instead of Jean’s.

But I can’t recommend BILLY JACK GOES TO WASHINGTON as entertainment unless you seen all the other “Billy Jack” movies and just want to complete the series. It’s too blatant an attempt to cram the political views of Laughlin and Taylor into their fiction and I can’t endorse the movie as entertainment.

155 Minutes

NR

 

The Last Dragon

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1985

Motown Productions/TriStar Pictures

Directed by Michael Schultz 

Produced by Berry Gordy

Written by Louis Venost

I’ve got a personal cosmology in my head that is kinda like the celebrated and legendary Wold Newton Universe created by the science fiction master Philip Jose Farmer. I connect movies, TV shows, comic books, pulp characters together in my imagination in ways that make perfect sense to me but might have others saying; “WTH?

Take these three movies from the 1980s: “The Adventures of Buckaroo Banzai Across The 8th Dimension” “Big Trouble In Little China” and THE LAST DRAGON. To me all three movies have a lot in common. At the time they were originally released they were financially and critically not well received. I myself loved all three because they mixed up various genres in such a way that I was completely enthralled and captivated. I learned something from these movies that I had also learned from writers such as George C. Chesbro: not to be afraid to mix elements from different genres of fiction. But audiences didn’t take to them back then. Of course, all three of those movies are now considered classics which I suppose now proves that they were all ahead of their time. In My Head, the events of “Buckaroo Banzai” “Big Trouble In Little China” and THE LAST DRAGON are taking place at the same time in the same universe because I can easily conceive of a universe where so much inspired and delightful insanity can all exist at the same time.

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THE LAST DRAGON is a delightfully goofy mash-up of martial arts, glitzy musical numbers, Kung Fu mysticism right out of a Marvel comic book, comedy, romance and satire. Leroy Green (Taimak) is a young black man living in Harlem and studies Kung Fu with your typical wise old Kung Fu Master. Leroy’s expertise in the martial arts is so great that he is known far and wide as “Bruce” Leroy. This does not sit well with Sho’Nuff, The Shogun of Harlem (Julius J. Carry III) who sees “Bruce” Leroy as the only thing standing in his way of being the supreme Kung Fu Master of Harlem.

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But Leroy seeks a more spiritual path. He only wants to find a Master who can help him achieve such a sublime state of spiritual and physical perfection that he acquires “The Glow.” A mystical energy that only a true Kung Fu Master can control. He is directed to find such a Master whose name and true identity I dare not reveal here since it’s one of the movie’s best gags. Leroy gets sidetracked from his quest when he meets up with the gorgeous pop star and video jockey Laura Charles (Vanity) who is being threatened by video arcade mogul Eddie Arkadian (Chris Murney) to sponsor his girlfriend Angela’s (Faith Prince) singing career. The fact that Angela has no singing talent at all doesn’t seem to make a difference to Eddie. It should be noted here that Miss Prince is actually an accomplished Broadway actress and it takes a lot of talent to sing as badly as she does in this movie. Leroy’s life gets complicated when Eddie and Sho’Nuff joins forces. And even more so when Leroy’s quest for a Master takes the most unexpected turn of all as Leroy is forced to look for his Master in the last place he expected to find him.

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When people ask me for a list of recommendations for movies that are simply Fun to watch, THE LAST DRAGON is usually in the Top Ten if not the Top Five. And it is a whole lot of fun to watch and best of all, it’s a movie that you can watch over and over again just because of the fun value. First of all, there’s Taimak and Vanity who are one of the most charming and appealing movie couples in film history. Right from their first scene together you’re rooting for this couple to get together. And I like how this movie isn’t afraid to have fun with typical movie stereotypes. “Bruce” Leroy Green dresses, talks, speaks and acts as if he’s straight out of a Shaw Brothers movie whereas the Asians in this movie talk and act the way we traditional expect African-Americans to behave. Trust me, it’s funny. It’s also quite funny and really sweet in how Leroy’s little brother Richie (Leo O’Brien) is more street smart than his older brother but when it counts they are able to mesh their skills together.

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What else can I say? The acting is excellent. Everybody knows what kind of movie they’re making and act accordingly. Look for Keisha Knight as “Bruce” Leroy’s little sister (it’s awfully cute how he calls her “Little Blossom”) Chazz Palminteri and William Macy are also in in this movie. Pay attention and you’ll see them in small but pivotal roles.  Julius J. Carry III cemented Sho’Nuff as one of the greatest bad guys in the history of cinema with this movie. “The Rhythm Of The Night” is one of the greatest videos ever made to promote a movie. The moment when “Bruce” Leroy realizes who The Master is has to be one of the great Stand Up And Cheer moments in movie history. THE LAST DRAGON is one of the few movies I actually wanted to see a sequel to as I had grown to love and enjoy the characters so much. If you’ve never seen THE LAST DRAGON then your homework assignment is to do so right now.

107 Minutes

Rated PG-13

 

A Picture Of You

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2013

Medium 10-12

Written and Directed by J.P. Chan

Based on a story by J.P. Chan and Jo Mei

Produced by Duane Anderson/J.P. Chan /Robert M. Chang/Yasmine Gomez

I will frequently get into arguments with my Facebooks friends who are also rabid movie fans over one simple thing. We’ll be discussing movies and our movie watching habits and the subject of Netflix will come up and they will say; “Oh, I hate Netflix. There’s nothing on there to watch.” And yes, when I hear this quite a bit from them it will drive me up the mollyfoggin’ wall because to me it’s plain and simple as a spit in the eye: if you can’t find anything to watch on Netflix it’s because you’re not looking for anything new to watch.

Take A PICTURE OF YOU for instance. Patricia and I were sitting in the den. We had just eaten a an exceptionally delicious dinner she had prepared and as she is wont to do after we have finished eating dinner she will suggest we watch a movie. She scrolled through the suggestions on her queue, said; “hey, that looks good” and clicked it on. Within thirty minutes we were thoroughly engrossed in an extremely entertaining movie that gave us more than our money and time’s worth and all we had to do was take a chance on it. So let’s table that bullshit about there not being anything to watch on Netflix, okay?  I mean, how many times can you watch “Breaking Bad” or “Doctor Who”? Ohhhhh…yeah, that’s right….”Doctor Who” isn’t on Netflix anymore. Jeezly crow…I guess you might actually have to watch something else, then?

Kyle (Andrew Pang) and Jen (Jo Mei) are estranged siblings who are forced to come together to settle their mother’s estate after her death. It doesn’t help that Kyle had to take care of their mother during the last months of her life without Jen’s help. They leave their lives and move into their mother’s house in rural Pennsylvania to pack up her belongings for a weekend. It also doesn’t help that Kyle has just been through a strained divorce and that Jen is pretty much directionless and self-absorbed. The situation has more gasoline thrown on the fire by Jen inviting her best friend Mika (Teyonah Parris) and boyfriend Doug (Lucas Dixon) up to the house for the weekend. Kyle is understandably pissed that his sister would invite people he considers strangers into what to him is an intensely personal family matter.

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And right around when Mika and Doug arrive is when A PICTURE OF YOU takes a sharp left turn out of Really Heavy Family Drama into 1930s Screwball Comedy. Because Kyle and Jen find pictures on their mother’s computer. Pictures that demonstrate that Moms had a freaky side that Kyle in particular would rather not know about. But Jen is determined to find out exactly what the pictures mean and especially about the sexual partner whose penis is quite prominently featured in the picture of the title.

It’s this shifting of tone that really makes A PICTURE OF YOU such a standout for me and for Patricia who was laughing herself into a hernia during the second half. The first half is pretty much straight family drama about two siblings trying to deal with their mother’s death and their own strained relationship. Once the risque pictures surface and the friends get involved…we go into a whole other sphere of influence here. The movie takes on a comic tone that comes out of the characters and the situations and turns out to be extremely hilarious in spots such as when Our Heroes think they’re spying on an illicit assignation that turns into a polyamorous tryst.

A PICTURE OF YOU is one of those true treasures of Netflix: a movie that like Authors Anonymous was apparently ignored in theaters but deserves to be seen by a wider audience simply because it’s a damn good story presented and acted by artists who believe in the story they’re presenting. I really liked Andrew Pang as Kyle because like him I think there’s some things about my mother’s past I don’t want to know. I really fell in love with Jo Mei because I don’t think there’s another actress alive that could say “holy fucking shit” in so many different ways and have it mean so many different things depending on the situation she’s in.

So should you see A PICTURE OF YOU? Absolutely YES. It’s a movie that deals with the subject of grief and loss of a parent I rarely have seen dealt with in a movie before and it does so in a way that is at both serious and hilarious. Some movies I like to watch because they are a thrill ride. Some let me share in an extraordinary adventure for two hours. And some just let me get at look inside the lives of people I wouldn’t normally not be able to get a look inside of. In that respect A PICTURE OF YOU succeeds admirably. A PICTURE OF YOU is available now for streaming on Netflix and I highly recommend it.

 

90 Minutes

Rated R