The Purge: Anarchy

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2014

Universal Pictures

Written and Directed by James DeMonaco

Produced by Jason Blum, Andrew Form, Bradley Fuller, Sebastien Lemercier and Michael Bay

In the interest of full disclosure I should be upfront and say that I had no interest at all in seeing THE PURGE: ANARCHY. I had seen “The Purge” at home about two months ago and thought it one of the most brain dead movies I’d seen in quite a while. Don’t look for a review of it here as I quite honestly wasn’t in the mood that day to rack up wordage on a movie I disliked. But if you do want to read an excellent review of it then I highly recommend you check out Mark Bousquet’s review of “The Purge”

So why did I go see the sequel of a movie that I didn’t like? The theater is why. Patricia and I used to go to a theater on Linden Boulevard here in Brooklyn. But we’ve switched to the Broadway Multiplex Cinema in Hicksville, out in Long Island. Why go all the way out there to go to the movies you ask?

Two-person wide motorized La-Z-Boy leather recliners. That’s why.

We have so fallen in love with the seats in this theater we ended up going to see THE PURGE: ANARCHY even though neither one of us were exactly eager about seeing it. And yeah, I found it just as brain dead as the first one. But I was comfortable as hell while seeing it.

For those of you who didn’t see the first movie (give praise for that) here’s the background. The United States is now administrated by The New Founding Fathers of America who have established The Purge, a 12 hour period taking place annually on March 21/22 from 7PM to 7AM. During this period all crime is legal. Citizens can rob, rape and kill with no fear of legal reprisal whatsoever. The New Founding Fathers insist that The Purge is necessary to give citizens a chance to release their negative and destructive urges. But it’s actually a form of population control as the poor and homeless are usually the victims of The Purge. The rich are rich enough to wait out The Purge in safety in homes that are more like fortified bunkers.

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Diner waitress Eva Sanchez (Carmen Ejogo) hurries home to barricade herself in her apartment along with her daughter Cali (Zoe Soul) and terminally ill father (John Beasley) Married couple Shane (Zach Gilford) and Liz (Kiele Sanchez) stop at a market to get some groceries before heading to the house of Shane’s sister to spend the night. Police Sergeant Leo Barnes quietly assembles an arsenal of guns and assault rifles before strapping on his body armor and climbing into his armor plated car. He plans on a very special Purge.

Through a complicated series of horrifying events these five people find themselves thrown together, trying to survive the night. They lose the car and are forced to take to the streets, avoiding hordes of bloodthirsty Purgers. During the course of the night they learn that The Founding Fathers have been sending out their own death squads to increase the body count by killing off the lower classes. And if that weren’t enough, the Big Rich have been hiring their own squads to kidnap people and bring them to secure locations where the Big Rich play The Most Dangerous Game. They hunt people, Purging in complete safety as they have weapons and their prey doesn’t.

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When it got to this part in the movie where our five heroes are on the run on foot I realized that the writer/director wanted so bad for this to be a John Carpenter movie as the situation was one that sort of reminded me of Carpenter’s classic “Assault On Precinct 13” turned on its head. But THE PURGE: ANARCHY is so determined to be So Serious and Say Something Profound About America it’s really not that much fun or that interesting to watch. The movie could use a whole heap of social satire ala the original “Death Race 2000” or “The Running Man”

It also doesn’t help that the characters are so thin that I really couldn’t get interested in what happened to them. There’s an attempt to generate some sympathy for the married couple who have agreed to separate but since I don’t know these people, why should I care if they separate or not? And I really can’t get with a movie that wastes the extraordinary talent of Michael K. Williams. He plays Carmelo, leader of an army of resistance fighters determined to bring down The New Founding Fathers and end The Purge. But for most of the movie we see him ranting and raving on a TV screen and he doesn’t show up in the flesh until near the end of the movie when it’s far too late for him to save it.

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And maybe it’s just me but I simply can’t buy that on a night where any and all crime is allowed, everybody turns into a homicidal maniac bent only on slaughtering everybody in sight. Me, I’m either robbing a bank or looting a Costco, a Wal-Mart or a Target. None of this is shown, except for the super of Eva’s building who has rape on the brain. Apparently everybody in America waits for this one night just so they can go blood simple.

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So should you see THE PURGE: ANARCHY? If you liked the first movie then you most likely have already seen this one. But if you haven’t, stay away from it and wait for it to show up on Netflix. It’s not even worth matinee prices.

Unless of course, your theater has two-person wide motorized La-Z-Boy leather recliners.

103 minutes

Rated R

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3 thoughts on “The Purge: Anarchy

    1. Word. If the regular seats had been in the theater Patricia and I would have went on back home and found something on Netflix to watch. But the lure of those leather recliners was far too much to resist. Like I said in the review, I may not have liked the movie but man, were those seats comfortable and cozy. All I needed was a blanket and a rum and coke and I’d have been straight.

      1. Some people have said I’m being too easy on this summer’s movies. If I have, I blame the leather recliners I’m sitting in for darn near every one of them. Hard to be too angry when you’re sitting in comfort. And at this theater, if I want a beer or glass of wine, I just have to walk to the lobby to get one. Pretty much the only two theaters I go to anymore are the one with the luxury recliners and the second-run, $4 theater.

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