Roger Corman

The Fast And The Furious (1955)

1955

American Releasing Corporation

Directed by John Ireland and Edward Sampson

Produced by Roger Corman

Written by Jean Howell and Jerome Odlum from a story by Roger Corman

Last year my Better In The Dark co-host Thomas Deja and I got the idea for a theme for the summer of 2012 which we called “The Summer of Speed”  The idea was to do episodes reviewing movies based around cars or where cars play a major role.  Naturally we immediately hit on doing an episode on the entire “Fast and Furious” series which you can find here .  I also saw this as an opportunity to do the same theme here at The Ferguson Theater and review movies I’ve been meaning to review for the longest but have been neglecting.  Movies such as “Speed Racer” “The Cannonball Run” “Smokey and The Bandit” and “Greased Lightning”. Now being anal as I am, I insisted to Tom that I wanted to start with the original THE FAST AND THE FURIOUS made in 1955.  He said I could go knock myself out and now I see why.  This movie does not follow The Ferguson Rule Of Truth In Movie Advertising in that it is neither Fast nor is it Furious.

Frank Webster (John Ireland) is a man on the run.  Doing time for a murder he didn’t commit, he manages to bust outta the hoosegow and take it on the lam.  The dragnet cast out for him is extensive and closing on him fast.  He needs a quick way out of his situation and finds it thanks to Connie Adair (Dorothy Malone) who is driving a Jaguar. While sitting in a roadside diner, Frank overhears Connie telling the waitress that she’s on her way to participate in a cross country race where the finish line is in Mexico.  Frank sees this as a perfect cover to get away.  Frank takes Connie hostage and they head for the race.

The bulk of the movie is taken up with Connie pleading for Frank to let her go even though there are numerous opportunities where she could get away but doesn’t take advantage of it.  And for a guy who’s trying not to arouse any suspicion,  Frank does a lot of suspicious things that cause many of the people he meets at the race to raise their eyebrows and ask Connie, “Hey, you sure this guy is okay?”

Turns out that the race officials have changed the rules so that women can’t participate in the race saying that they’ve deemed it “too dangerous for a woman.” So Frank has to put himself in the race so that he won’t raise any more eyebrows than he already has.  It’s during his qualifying run for the race where Frank and Connie start to bond a little.  He tells her what really happened to get him thrown in jail and she urges him to give himself up and even offers to help.  Frank quite naturally tells her to get stuffed.  Now somehow through all this back-and-forth, they manage to fall in love.  So much so that Frank jeopardizes his freedom to drive Connie’s car in what has to be the most boring car race I’ve seen on film.

Thankfully the movie is only 73 minutes long so if you do decide to watch it, it’s mercifully short.  Apparently the producers of the Vin Diesel remake bought the rights to the movie just because they wanted the title.  And I can understand that: it’s a good title.  One that is wasted on this movie.  It’s worth watching if you’re a Roger Corman fan and want to watch this because of his involvement in it but that’s about I can recommend it for.  I really didn’t care a poobah’s pizzle about anybody in this movie and while Dorothy Malone tries her best to inject some life into her scenes with John Ireland, he’s no help at all as his idea of acting is to just stand there and look constipated.  Their romance is entirely unconvincing and when I got to the end of the movie I howled, “That’s it?

THE FAST AND THE FURIOUS is available for streaming on Netflix and you can also see it the entire movie on YouTube which I’ve provided for you right here if you care to see it.  If you don’t want to, I quite understand.

BiTD Basement of Horrors!

It’s become a tradition–around Halloween, The Boys Outta Brooklyn always discuss horror films you might not have considered when planning your movie marathons for the spookiest holiday of all. And during the past seven years we’ve build up a graveyard full of spooktacular episodes focusing on the creepy and the ooky as well as the mysterious and kooky. Here’s a complete listing of the horror themed episodes of BETTER IN THE DARK. Maybe you’ve listened to some or all of ‘em of them before. But if you haven’t, here they go. Bounce on over to the BiTD Fan Page Episode Archive and get to clickin’! 

EPISODE #5: Once again with more enthusiasm than facts (although we’re getting better), Tom and Derrick spend an hour looking at George Romero’s DEAD series. From NIGHT OF THE LIVING DEAD to LAND OF THE DEAD we examine the entire canon, including the remakes. Plus, the guys from Brooklyn tackle the eternal question of “Canada–what gives?”

EPISODE #12: What Made Haddonfield Famous–The Halloween Series
The Guys Outta Brooklyn unleash almost 90 minutes of filmic goodness. Join Thomas and Derrick as they go through the entire eight-film cycle, from the John Carpenter classic to the dumb-ass sight of Busta Rhymes kung fu-ing Michael Meyers. No film goes unmentioned or unpunished!

Episode #17: Hunting In A Black Cemetery For A Haunted Phantasm Before Dawn
Join the Boys From Brooklyn as they discuss with more enthusiasm than facts six of their favorite horror films. From the classic-but-near-forgotten PHANTASM to the insanely wrong-headed (in the positive sense) CEMETARY MAN we’re sure to turn you onto something that’s perfect for your tastes. Also, Tom and Derrick talk about the charms of both versions of THE HOUSE ON HAUNTED HILL. It’s a gruesome grab bag of cinematic chillers, so what are you waiting for?

EPISODE #43: The Sleepy Wicker Man Under The Stairs On The Descent To Hell’s Cell
Join Derrick and Tom as they discuss such underground classics as the British pagan thriller THE WICKER MAN, the African-American economic scare story THE PEOPLE UNDER THE STAIRS, the very literal comedic horror tale HIGHWAY TO HELL and other treats to trick you into screaming! Plus Thomas imitates Gilbert Gottfried, the Guys discuss movies to make you claustrophobic, and we ponder the fate of Patrick Bergin.

EPISODE #59: BLACK GLOVES ARE FOR MURDER: THE GIALLO STYLINGS OF DARIO ARGENTO
The Guys Outta Brooklyn go continental as we examine a quintet of giallo films by the man who helped originate the genre, Dario Argento! From the insanely plotted but compelling TENEBRAE to the insanely plotted and craptacular TRAUMA to the clip show love letter DO YOU LIKE HITCHCOCK?, Tom and Derrick examine the handiwork of this seminal Italian director. Plus Tom gets an excuse to trot out another accent, how the Three Mothers trilogy is like Kill Bill and a word from our sponsor, The Argento Decapomatic! You know it’s all like a dream brought on by too much Ziti Fra Diablo, so get to clicking!

EPISODE #61: TRIUMVERATE OF PASSION AND TERROR–THE FILMS OF CLIVE BARKER
Tom and Derrick team up with Des Reddick, host of Dread Media as they discuss the unique cinematic vision of Clive Barker! Join the trio as they examine HELLRAISER, NIGHTBREED and LORD OF ILLUSION, as well as a number of other films based on the writer’s work. Plus far too many references to baboon butt, teaching our Junior Correspondent how to properly punch his dad, and how Jennifer Rubin ended up on the poster of Nightbreed! It’s a damn sight better than murdering the world, so get to clicking!

EPISODE #67: BEHIND THE DUEL OF MARY LOU, THE LITTLE GIRL WHO BURNT SATAN’S CLAW
Derrick chooses three films from the 70’s including one of Steven Spielberg’s first and a creepy guignol tale featuring a young Jodie Foster, and Tom chooses such gems as a high school ghost story and a ‘documentary’ that follows an aspiring serial killer as he plans his night of grue! It’s a six-pack of sinister ideas–plus some suggestions for a second feature to make those choices even more fun–so get to clicking!

EPISODE #72: TRANSPORTING MR. ROMERO
It started out as a simple episode examining the career of George Romero by looking at some non-zombie movies in his canon. But before it’s done, the Boys Outta Brooklyn will find themselves engaging in the first–and maybe last–edition of Better In The Dark Fight Night, featuring a selection of action movie stars…and Tom Savini. Plus Derrick tells us why Wes Craven deserves a daily kick in the ass, Tom has fun with public domain blaxploitation films, and gratuitous Kristen Bell. After all, it wouldn’t be an authentic BiTD episode without gratuitous Kristen Bell, right?

EPISODE #81: WHAT MADE SPRINGWOOD FAMOUS: THE NIGHTMARE SERIES
In an episode three years in the making, Derrick does for Freddy Krueger what Tom did for Michael Myers and examines the entire NIGHTMARE ON ELM STREET ouvre, from the absolutely classic first entry through the rather…goofy end to the attempts to recreate the series in WES CRAVEN’S NEW NIGHTMARE and the monster rally FREDDY VS. JASON! Along the way, The Guys Outta Brooklyn discuss the importance of Robert Englund in creating this horror icon, how Wes Craven attempted to kill the franchise repeatedly, and how the films, as bad as they got never lost money. Plus…we find a connection between the series and the ultra-obscure Adam Sandler vehicle The Unsinkable Shecky Moscowitz and address a great disservice done to Curtis Mayfield. Every town has an Elm Street so get to clickin’!

EPISODE #88: DIRECTOR’S COURT–THE CASE OF ROGER CORMAN
The latest edition of Better In The Dark brings an icon of Drive-In Cinema before the docket! Tom and Derrick examine the influence American original Roger Corman had on Hollywood as both a director and a producer in a career that spans five decades. From his Poe adaptations to the long list of creative types he influenced to the series of giant animal movies that prowl the fringes of Syfy, Corman entire life is put under the microscope. Plus Tom and Derrick mourn Gary Coleman, who you should never patronize a business run by Klaus Kinski, and why a certain film should’ve been renamed MURDER HYUNDAIS! You’ve never lost money listening to us, so get to clicking!

Episode #90: WHO CAN SHANK THE STRANGE CORRUPTION OF THE GRIM PRAIRIE SAUNA (Special Guest–Des Reddick)
It’s time for this year’s iteration of a Better In The Dark tradition, as Tom and Derrick once again provide you with suggestions for Obscure Horror Films to light up your Halloween festivities. This year, however, they welcome the Patriarch of the First Family of BITD (and host of Dread Media), Des Reddick, to join in. The results are an international six pack of horror flicks ranging from the Finish period piece SAUNA to the New Zealand (pretending to be Nebraska) should’ve been a period piece STRANGE BEHAVIOR to the Spanish chiller WHO COULD KILL A CHILD. Plus zombie chickens! Tom Cruise sitting around in his underwear! The world’s most unscary home invaders! Everything goes better with monkeys, so get to clicking!

Episode #116: The Company of Beguiled Wittering Magic Shadows Must Die (Guest: Desmond Reddick)

The Boys Outta Brooklyn once more sit down with their Brother From the North, Des “Dread Media” Reddick, to discuss another six-pack of Obscure Horror Films designed to spice up your Halloween marathons! Tom, Derrick, and Des put the spotlight on werewolves and maniacs, with films set in the Old West, Feudal Japan, a fairy tale forest, and a British boarding school. Plus, oysters, monkeys, and most importantly, The Werewolf Break! You know one of us is a beast, so get to clicking!

Episode #118: Gatekeepers of Childhood Nightmares – The American Horror Host Tradition (Guest: Lord Blood Rah)

The Guys Outta Brooklyn return to their upbringing when they welcome modern-day horror movie host Lord Blood Rah to discuss the origins, history, and resurgence of the American Horror Movie Host tradition! Of course, this being a guest host episode of Better in the Dark, it soon morphs into a freewheeling discussion of the state of horror movies in general. It’s almost two hours of fun and frights in the BITD manner! Plus, the forgotten blaxploitation mummy epic, why Dr. Frankenstein always has the upper hand when other mad scientists host tea parties, and why it might be a good thing that Guillermo del Toro isn’t adapting Lovecraft. It’s time to cut up that giant ameba, so get to clicking!

Episode #129. Director’s Court – Tim Burton

The Boys Outta Brooklyn reconvene Director’s Court to pass judgement on Tim Burton. Tom and Derrick cover the man’s entire career, and try to figure out if he is still blazing new trails or relying on the same old tropes. Plus, Derrick knows the value of Johnny Depp to moviegoers, why the Gene Wilder version of Willy Wonka may be a demented serial killer, and, for the first time ever, our subject may get his revenge. You know Spectre is really swell, so get to clicking!

Episode #130. The Gentleman with Blood in His Teeth – A Celebration of Christopher Lee

The Boys Outta Brooklyn raise their glasses to honor the great Christopher Lee! Join Tom and Derrick as they explain why this is one of the most remarkable actors they’ve ever discussed, and not just because of his defining horror film roles! If that’s not enough, they struggle to explain the plot of one of Lee’s weirdest films, the insane Scream and Scream Again! Plus, Tom sings heavy metal, Derrick suspects the word “Huguenots” is dirty, and writing talk. You know the world will hear from us again, so get to clicking!

Episode #138. And Soon May The Header Man Skin? With Special Guest Desmond Reddick!

Tom and Derrick once more team-up with Dread Media’s own Des Reddick to pick a bunch of horror films you may not have heard of! From the bleak coming of (twisted) age story, The Reflecting Skin, to not one but two iterations of the atmospheric psychological thriller, And Soon the Darkness, the Guys Outta Brooklyn (and Vancouver) serves up an hour and a half of conversation and movie recommendations for your Halloween festivals. Plus, the debut of Clemens’ Peelers, and the new film rating Ebola! There are too many pretty parts, so get to clicking!

The Reflecting Skin3