Robert Fuest

The Final Programme

Final_programme

 

1973

Anglo-EMI Film Distributors Ltd./MGM-EMI Distributors Ltd./New World Pictures

Directed and Written by Robert Fuest

Produced by Sandy Liberson

Based on the novel by Michael Moorcock

I discovered Michael Moorcock during the late 1970’s. I was in High School and it was right about then that I got turned onto Sword and Sorcery thanks to John Aiken, a guy who I hung out with a lot back then as we went to the same high school and shared a love of comic books and fantastic fiction. Thanks to Marvel Comics “Conan The Barbarian” I discovered Robert E. Howard and it was John who handed me a copy of “Elric of Melnibone” and said that if I liked Howard then I would love this guy.

And John was right. I devoured Moorcock the same way I devoured Howard. And after I read all the Elric stuff I went on to read Corum and the Hawkmoon books, which I still think would beat the snot out of the “Lord of The Rings” movies if they were done right. In fact I loved everything Moorcock wrote until I hit the Jerry Cornelius books.

Jerry Cornelius is a character who appeared in a long series of novels and anthologies written by Moorcock from the 1960’s up until as recently as 2008. The first novel “The Final Programme” which is based on the movie we’re talking about now is for me the most accessible one. It’s also the most fun to read as for the first half it’s a modern retelling of a significant part of “Elric of Melnibone” with Jerry Cornelius as Elric, his brother Frank as Yrykoon and their sister Catherine as Cymoril. In the later novels I simply couldn’t get into what Moorcock was talking about as Jerry Cornelius became not a character but an avatar for Moorcock to explore his own opinions and thoughts on social issues. The Jerry Cornelius books became more about social satire and philosophy than anything else. Forget about the action adventure we were promised in the first book.

M8DFIPR EC002THE FINAL PROGRAMME follows the first half of the book pretty closely. Jerry Cornelius (Jon Finch) superspy, adventurer and Nobel Prize winning physicist is summoned to attend the funeral of his father. At the funeral Jerry is approached by a consortium of scientists led by the enigmatic Miss Brunner (Jenny Runacre) who need a microfilm Jerry’s father had. The microfilm has the secret of “The Final Programme” a genetic code that will create a new being, a messiah that will lead mankind out of the end of the world that is soon to come.

Jerry really isn’t interested in all that. He just wants to get his sister Catherine (Sarah Douglas) away from the sinister clutches of his insane brother Frank (Derrick O’Connor) Frank has Catherine captive in the Cornelius ancestral castle which is protected by all sorts of lethal booby traps that can only be navigated by a member of the Cornelius family. Turns out that Frank has the microfilm and that sets off a worldwide chase after Frank. Eventually Jerry gets hold of the microfilm and turns it over to Miss Brunner and her scientists. But then he finds he’s in even greater danger as Miss Brunner considers him prime genetic material for the creation of her new messiah.

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The main reason to watch THE FINAL PROGRAMME is the direction of Robert Fuest who not only worked on “The Avengers” but directed “The Abominable Dr. Phibes” “Dr. Phibes Rises Again” as well as “And Soon The Darkness.” He throws in a lot of eye candy and wacky set pieces such as a vertical chessboard on a door. The only way to open the door is to move the pieces in the same manner as a famous chess game. If you don’t… There’s a scene in a club that is a giant pinball game where scantily clad girls and patrons are inside clear plastic balls.

final-programme-5Jon Finch is actually quite good as Jerry Cornelius and I wish he’d been given a better script to work with. He plays Jerry as a cynical superhero and it’s a lot of fun to see him run around with his needle gun in his black suit, gloves and frilly shirt nemesising evildoers when the script lets him do so. Jenny Runacre’s Miss Brunner is a character that shows a lot of promise in that she appears to be some sort of vampire that feeds upon the lifeforce of her lovers, male or female. But this is just another promising plot element that is left unexplained. Still, Miss Runacre commits herself to her character and that’s all I can ask from any actor.

Should you see THE FINAL PROGRAMME? Since it’s available to see on YouTube for free (and I’ve provided the link below) I would say Yes. Especially if you’re a fan of the work of Robert Fuest. The movie has some wonderful set designs and the energy of the actors can carry you past the dull parts as everybody in this one gives it their all. Mind you, it’s not a good movie and that ending is nothing less than than a slap in the face to the viewers who have committed their time to this movie. Still, it’s eccentric enough that I can recommend it to those of you who are Michael Moorcock fans like me who may be curious enough to check out what is the best known adaptation of his work to date. Enjoy.

Rated R

81 Minutes

And Soon The Darkness (1970)

1970

EMI Films

Directed by Robert Fuest

Produced by Albert Fennell and Brian Clements

Written by Brain Clements and Terry Nation

AND SOON THE DARKNESS is regarded as a minor cult classic of 70’s British horror movies and now, after finally seeing it for myself I can see why.  It’s a neat, effective little horror/suspense movie that gets the job done with a subtle, intelligent script and solid acting.  It’s my kind of horror movie as the situation is one that could plausibly happen and the characters behave as I can see actual people in such a situation would act and as such I can take the movie much more seriously than say, the brain dead 2010 remake of AND SOON THE DARKNESS.  But that’s another review.  Let’s get back to this one.

Jane (Pamela Franklin) and Cathy (Michele Dotrice) are two young and very pretty English girls on holiday, biking through the French countryside.  They’re best friends but they have very different idea of how they want to spend their holiday.  Jane’s insistent they stay on schedule and she’s constantly consulting her stack of maps and checking their time against their itinerary.  Cathy wants to slowpoke it, take their time and enjoy the local color.

Part of that local color is Paul (Sandor Eles) a handsome young French man who catches Cathy’s eye in a café the two girls stop at briefly to get directions.  They go further on up the road and Paul passes them on his motorcycle, only to stop at a roadside cemetery.  In a blatant attempt to kill time and wait for Paul to catch up to them, Cathy insists that the girls stop to sunbathe at the side of the road.  This leads to a quarrel where Cathy tells Jane she’s fed up with being bossed around and that she’s going to have some fun.  Jane leaves Cathy and continues on by herself, stopping at another café a little ways up the road.  After a while, when she’s cooled off, she goes back for Cathy.

Except Cathy’s gone.  Jane finds her bicycle but except for that, there’s no sign of Cathy at all.  Jane frantically searches for her with no luck.  She runs into Paul, who claims to be a police detective and offers to help.  He certainly is more willing to do so than the local gendarme (John Nettleton) who treats Cathy’s disappearance with a laid-back casualness that frustrates Jane to no end. The locals are of no help because Jane doesn’t know any French and so can’t tell them what’s wrong.  And then it turns out that Paul has disturbingly graphic knowledge of a girl who a couple of years ago was raped and murdered near the same spot where Cathy disappeared…

If you have any knowledge of the careers of the writers and director of this movie then you know these guys aren’t amateurs.  Robert Fuest directed the two classic “Dr. Phibes” movies.  Brian Clements was a producer and main script writer of “The Avengers” as well as writing so many other classic British TV series and movies such as “Captain Kronos, Vampire Hunter” which he also directed.  Terry Nation created The Daleks and if I have to tell you who they are then you’re in the wrong place.  He also created several notable British science fiction TV series including one of my favorites; “Blake’s 7”

Add to this the considerable acting talent of Pamela Franklin who starred in what I consider the second best haunted house movie ever made; “The Legend of Hell House” and was a standout in “The Prime of Miss Jean Brody” where she played the intellectually and sexually precocious Sandy. Pamela Franklin had a good career back in the 60’s and 70’s and if you see her name in the credits of a movie, watch it.  She’s a fine actress with terrifically expressive eyes who knows exactly what she’s doing in front of a camera and it’s a treat to watch her work.

The movie also is fun to watch because despite the title, 100% of AND SOON THE DARKNESS takes place during the daytime in broad daylight.  The events of the movie play out in the course of one day and just because it all takes place during the daylight hours doesn’t make it any less scary or suspenseful.  Increasing the suspense is Jane’s inability to communicate with anybody except the two people she suspects of having taken her friend.  It’s a smart move by the director to not subtitle when French is spoken and so as the audience we can share in Jane’s growing frustration and paranoia at her situation.

So should you see AND SOON THE DARKNESS?  I recommend so highly.  It doesn’t have graphic violence or gore but if you’re looking for a nifty little horror/suspense thriller that will keep you guessing right up until the end of the movie, this is for you.  It’s currently available for streaming on Netflix so enjoy.

PG

99 minutes