Good Universe/CBS Films
Directed by Jon Turteltaub
Produced by Laurence Mark and Nathan Kahane
Written by Dan Fogelman
If you saw the trailer for LAST VEGAS you probably thought like me: that it would be a raunchy, senior citizen version of “The Hangover.” I imagined that Michael Douglas, Robert DeNiro, Morgan Freeman and Kevin Kline got together after seeing the “Hangover” movies and said; “Let’s show these guys how it’s really done.” And you’d be forgiven for thinking that way because that’s precisely how the trailers sold the movie. Nothing could be further from the truth. LAST VEGAS is two things: a Lifetime movie made for men and a 105 minute commercial for Las Vegas.
Michael Douglas is Billy who decides at a funeral for a friend that he wants to get married and proposes to his girlfriend. He contacts his three best friends: Paddy (Robert DeNiro) Archie (Morgan Freeman) and Sam (Kevin Kline) who decide to throw him the best bachelor party ever in Las Vegas. They also think they can talk him out of marrying a girl young enough enough to be his granddaughter.
The situation is complicated by a couple of things: Paddy is still mourning for his wife who passed away a year ago. And he’s still pissed off at Billy for not coming to her funeral. Archie has to break out of his own house as his overprotective son won’t let him do anything since Archie had a minor stroke. Sam is bored to death living in a retirement community and sees the trip to Vegas as a way of getting back his zest for life.
This aging wolfpack heads to Las Vegas where they quickly become friends with lounge singer Diana (Mary Steenburgen) and she joins the guys on their last big adventure while becoming attracted to both Billy and Paddy and the two of them find themselves really becoming attracted to her.
Trust me on this, I’m making LAST VEGAS sound a lot more than it really is. Considering the star power in this movie I expected a really outrageous comedy but what we get is a predictable, flat product. I’ve watched episodes of “Everybody Loves Raymond” that were raunchier than this movie. Which is really disappointing. I’ve seen these guys cut loose and get crazy in other movies and I was hoping to see that here. Nope. This is a movie made for senior citizens who don’t like to see violence, sex, drug use or a lotta cussin’ in their movies. It’s as bland as white bread with butter. And not that that’s a bad thing. I’m glad to see that Hollywood is acknowledging that there’s an audience out there who isn’t interested in seeing superhero movies, CGI blockbusters and hyper-violent action thrillers and are making movies for them so that they can get out and enjoy an afternoon or evening at the movies like everybody else. It’s a good thing.
To give them credit, Kevin Kline, Robert DeNiro, Morgan Freeman, Michael Douglas and Mary Steenburgen all look like they’re having fun working together. I only wish that Joanna Gleason had more to do here as she’s a very talented actress and what she has here is little more than an extended cameo as Kevin Kline’s wife.
The guys spend the movie flirting with young cuties, showing the kids how to get down and party, drinking, playing blackjack, teaching life lessons to a bully (Jerry Ferrara) judging a wet bikini contest and just hanging out in Vegas, making it look like a really hip and fun place to be. Like I said earlier, it’s a commercial for Las Vegas and on that level, it’s a pretty good one.
Of course by the end of the movie, the guys have all resolved their personal problems, Paddy and Billy have kissed and made up and Diana ends up with one of them. There’s not a single surprise in the movie and it’s so structured by the numbers that you can safely predict what is going to happen and when. That’s not to say it isn’t amusing or cute. It is fun seeing DeNiro, Freeman, Douglas and Kline working together and they do their jobs. They’re just not stretching themselves. They’re basically doing riffs on their patented screen personas and they do it well.
No need to draw this out. Wait for LAST VEGAS to come to Netflix. Or if you really have to see it, then catch a matinee.