psychological horror

The Innkeepers

2011

Glass Eye Pix/Magnet Releasing

Directed and Written by Ti West

Produced by Larry Fessenden

There’s a lot of folks who are horror fans who are not going to like THE INNKEEPERS. And that’s okay. I fully understand that there’s an entire generation that has been brought up on horror film franchises such as “Saw” “Final Destination” “Wrong Turn” and “Paranormal Activity” and while those movies aren’t exactly what I consider horror, I recognize that they have entertained a whole lotta folks. That’s why they’re franchises. And when I’m in the mood I even enjoy watching a “Final Destination” movie myself. Those things are the best live-action Looney Tunes cartoons ever made.

But there’s a genre of horror movie that I don’t see much of today that I love and that’s The Ghost Story. Most of them are also Haunted House movies as well since it’s usually a house that the ghosts are haunting. I’m thinking of movies such as “The Innocents” “Poltergeist” “The Shining” “Stir of Echoes” “The Legend of Hell House” “The Haunting” and “The Others.” And now I can add a new one to that list: THE INNKEEPERS.

The Yankee Pedlar Inn is going to close in a few days and the owner is soaking up the sun in Barbados, leaving his last two employees Claire (Sara Paxton) and Luke (Pat Healy) to work the place during the final weekend of operation. Both Claire and Luke are amateur ghost hunters and Luke even has a website detailing the history of the hotel’s history of ghost sightings and hauntings. The hotel’s most prominent ghost legend is the one of Madeline O’Malley. She was abandoned in the hotel by a husband who suddenly decided he didn’t want to be married and ran off. Consumed with grief, Madeline hung herself and the hotel owners buried her body in the basement to avoid scandal. Claire and Luke both hope that sometime during this final weekend they’ll be able to make contact with Madeline’s spirit or record her voice.

The hotel’s few guests are an odd bunch. Leanne Rease-Jones (Kelly McGillis) is a former actress who has given up that career to become a professional medium. She’s in town for a psychics’ convention and despite her abrasive personality seems to be the real deal. Or is she just that good of an actress still? There’s a perpetually pissed off woman (Alison Bartlett) with her son (Jake Ryan) who has left her husband and is apparently intending to dump her anger on poor Claire and Luke with ceaseless demands for more towels. And the oddest of the lot is an old man (George Riddle) who insists that he must stay in a room on the third floor.

Claire and Luke take turns manning the front desk and looking out for ghosts. Both of them believe in ghosts and desperately want to see one. And as my grandfather used to say: God answers all prayers so it’s on us to be very careful about what it is that we pray for.

I really enjoyed how THE INNKEEPERS takes it’s time slowly putting together it’s story. The first half of the movie is mostly Claire and Luke doing their jobs and talking about what they’re going to do when they’re unemployed. Through some really clever dialog and the likeability of the two actors they had me convinced that Claire and Luke are co-workers who have known each for a long time, possibly even grew up on the same street and went to school together. Sarah Paxton and Pat Healy are really good at helping to establish the mood and pace of the movie and in the second half where things start to go wrong I found myself really concerned and worried about what would happen to them.

Kelly McGillis was a real surprise for me as I totally did not recognize her and it wasn’t until I was doing research for this review that I found out who she was. The only movie I’ve ever seen her in was “Witness” and before you ask; no, I have never seen “Top Gun” which is the movie she’s best known for. Just based on her performance in this movie I’d really wish she’d do more work in film. Lena Dunham shows up in an amusing scene as a barista who wants to confide in Claire about her love life. In fact, there’s quite a bit of humor in the first half of the movie which makes it all the more horrifying when the haunting begins as I had really grown to like the happy-go-lucky Claire and Luke by that point.

Like any good ghost story, THE INNKEEPERS leaves the ending open to the individual’s interpretation of the events they have just witnessed. Is the hotel actually haunted or was everything in Claire’s mind? Is Leanne actually psychic? What did she see in the basement? THE INNKEEPERS succeeds enormously at creating suspense and a feeling of dread without ever showing you anything for much of the movie’s running time. It saves it’s real horrors for when they’ll count the most, as any good horror movie should.

So should you see THE INNKEEPERS? If you’re a movie goer who demands buckets of blood and decapitated heads flying at you, or tons of gory CGI effects then I recommend you stay away. This isn’t your movie. And for those of you who demand your movies move at Warp Factor Five with quick cuts every thirty seconds, this isn’t your movie.

But for those of you who don’t mind chewing on your horror slowly, savoring a natural escalation of atmosphere and the ambiguity of wondering if what is happening is real or just the result of overworked imagination, combined with some really fine acting, then yes, see THE INNKEEPERS and enjoy.

Rated R

101 Minutes

BiTD Basement of Horrors!

It’s become a tradition–around Halloween, The Boys Outta Brooklyn always discuss horror films you might not have considered when planning your movie marathons for the spookiest holiday of all. And during the past seven years we’ve build up a graveyard full of spooktacular episodes focusing on the creepy and the ooky as well as the mysterious and kooky. Here’s a complete listing of the horror themed episodes of BETTER IN THE DARK. Maybe you’ve listened to some or all of ‘em of them before. But if you haven’t, here they go. Bounce on over to the BiTD Fan Page Episode Archive and get to clickin’! 

EPISODE #5: Once again with more enthusiasm than facts (although we’re getting better), Tom and Derrick spend an hour looking at George Romero’s DEAD series. From NIGHT OF THE LIVING DEAD to LAND OF THE DEAD we examine the entire canon, including the remakes. Plus, the guys from Brooklyn tackle the eternal question of “Canada–what gives?”

EPISODE #12: What Made Haddonfield Famous–The Halloween Series
The Guys Outta Brooklyn unleash almost 90 minutes of filmic goodness. Join Thomas and Derrick as they go through the entire eight-film cycle, from the John Carpenter classic to the dumb-ass sight of Busta Rhymes kung fu-ing Michael Meyers. No film goes unmentioned or unpunished!

Episode #17: Hunting In A Black Cemetery For A Haunted Phantasm Before Dawn
Join the Boys From Brooklyn as they discuss with more enthusiasm than facts six of their favorite horror films. From the classic-but-near-forgotten PHANTASM to the insanely wrong-headed (in the positive sense) CEMETARY MAN we’re sure to turn you onto something that’s perfect for your tastes. Also, Tom and Derrick talk about the charms of both versions of THE HOUSE ON HAUNTED HILL. It’s a gruesome grab bag of cinematic chillers, so what are you waiting for?

EPISODE #43: The Sleepy Wicker Man Under The Stairs On The Descent To Hell’s Cell
Join Derrick and Tom as they discuss such underground classics as the British pagan thriller THE WICKER MAN, the African-American economic scare story THE PEOPLE UNDER THE STAIRS, the very literal comedic horror tale HIGHWAY TO HELL and other treats to trick you into screaming! Plus Thomas imitates Gilbert Gottfried, the Guys discuss movies to make you claustrophobic, and we ponder the fate of Patrick Bergin.

EPISODE #59: BLACK GLOVES ARE FOR MURDER: THE GIALLO STYLINGS OF DARIO ARGENTO
The Guys Outta Brooklyn go continental as we examine a quintet of giallo films by the man who helped originate the genre, Dario Argento! From the insanely plotted but compelling TENEBRAE to the insanely plotted and craptacular TRAUMA to the clip show love letter DO YOU LIKE HITCHCOCK?, Tom and Derrick examine the handiwork of this seminal Italian director. Plus Tom gets an excuse to trot out another accent, how the Three Mothers trilogy is like Kill Bill and a word from our sponsor, The Argento Decapomatic! You know it’s all like a dream brought on by too much Ziti Fra Diablo, so get to clicking!

EPISODE #61: TRIUMVERATE OF PASSION AND TERROR–THE FILMS OF CLIVE BARKER
Tom and Derrick team up with Des Reddick, host of Dread Media as they discuss the unique cinematic vision of Clive Barker! Join the trio as they examine HELLRAISER, NIGHTBREED and LORD OF ILLUSION, as well as a number of other films based on the writer’s work. Plus far too many references to baboon butt, teaching our Junior Correspondent how to properly punch his dad, and how Jennifer Rubin ended up on the poster of Nightbreed! It’s a damn sight better than murdering the world, so get to clicking!

EPISODE #67: BEHIND THE DUEL OF MARY LOU, THE LITTLE GIRL WHO BURNT SATAN’S CLAW
Derrick chooses three films from the 70’s including one of Steven Spielberg’s first and a creepy guignol tale featuring a young Jodie Foster, and Tom chooses such gems as a high school ghost story and a ‘documentary’ that follows an aspiring serial killer as he plans his night of grue! It’s a six-pack of sinister ideas–plus some suggestions for a second feature to make those choices even more fun–so get to clicking!

EPISODE #72: TRANSPORTING MR. ROMERO
It started out as a simple episode examining the career of George Romero by looking at some non-zombie movies in his canon. But before it’s done, the Boys Outta Brooklyn will find themselves engaging in the first–and maybe last–edition of Better In The Dark Fight Night, featuring a selection of action movie stars…and Tom Savini. Plus Derrick tells us why Wes Craven deserves a daily kick in the ass, Tom has fun with public domain blaxploitation films, and gratuitous Kristen Bell. After all, it wouldn’t be an authentic BiTD episode without gratuitous Kristen Bell, right?

EPISODE #81: WHAT MADE SPRINGWOOD FAMOUS: THE NIGHTMARE SERIES
In an episode three years in the making, Derrick does for Freddy Krueger what Tom did for Michael Myers and examines the entire NIGHTMARE ON ELM STREET ouvre, from the absolutely classic first entry through the rather…goofy end to the attempts to recreate the series in WES CRAVEN’S NEW NIGHTMARE and the monster rally FREDDY VS. JASON! Along the way, The Guys Outta Brooklyn discuss the importance of Robert Englund in creating this horror icon, how Wes Craven attempted to kill the franchise repeatedly, and how the films, as bad as they got never lost money. Plus…we find a connection between the series and the ultra-obscure Adam Sandler vehicle The Unsinkable Shecky Moscowitz and address a great disservice done to Curtis Mayfield. Every town has an Elm Street so get to clickin’!

EPISODE #88: DIRECTOR’S COURT–THE CASE OF ROGER CORMAN
The latest edition of Better In The Dark brings an icon of Drive-In Cinema before the docket! Tom and Derrick examine the influence American original Roger Corman had on Hollywood as both a director and a producer in a career that spans five decades. From his Poe adaptations to the long list of creative types he influenced to the series of giant animal movies that prowl the fringes of Syfy, Corman entire life is put under the microscope. Plus Tom and Derrick mourn Gary Coleman, who you should never patronize a business run by Klaus Kinski, and why a certain film should’ve been renamed MURDER HYUNDAIS! You’ve never lost money listening to us, so get to clicking!

Episode #90: WHO CAN SHANK THE STRANGE CORRUPTION OF THE GRIM PRAIRIE SAUNA (Special Guest–Des Reddick)
It’s time for this year’s iteration of a Better In The Dark tradition, as Tom and Derrick once again provide you with suggestions for Obscure Horror Films to light up your Halloween festivities. This year, however, they welcome the Patriarch of the First Family of BITD (and host of Dread Media), Des Reddick, to join in. The results are an international six pack of horror flicks ranging from the Finish period piece SAUNA to the New Zealand (pretending to be Nebraska) should’ve been a period piece STRANGE BEHAVIOR to the Spanish chiller WHO COULD KILL A CHILD. Plus zombie chickens! Tom Cruise sitting around in his underwear! The world’s most unscary home invaders! Everything goes better with monkeys, so get to clicking!

Episode #116: The Company of Beguiled Wittering Magic Shadows Must Die (Guest: Desmond Reddick)

The Boys Outta Brooklyn once more sit down with their Brother From the North, Des “Dread Media” Reddick, to discuss another six-pack of Obscure Horror Films designed to spice up your Halloween marathons! Tom, Derrick, and Des put the spotlight on werewolves and maniacs, with films set in the Old West, Feudal Japan, a fairy tale forest, and a British boarding school. Plus, oysters, monkeys, and most importantly, The Werewolf Break! You know one of us is a beast, so get to clicking!

Episode #118: Gatekeepers of Childhood Nightmares – The American Horror Host Tradition (Guest: Lord Blood Rah)

The Guys Outta Brooklyn return to their upbringing when they welcome modern-day horror movie host Lord Blood Rah to discuss the origins, history, and resurgence of the American Horror Movie Host tradition! Of course, this being a guest host episode of Better in the Dark, it soon morphs into a freewheeling discussion of the state of horror movies in general. It’s almost two hours of fun and frights in the BITD manner! Plus, the forgotten blaxploitation mummy epic, why Dr. Frankenstein always has the upper hand when other mad scientists host tea parties, and why it might be a good thing that Guillermo del Toro isn’t adapting Lovecraft. It’s time to cut up that giant ameba, so get to clicking!

Episode #129. Director’s Court – Tim Burton

The Boys Outta Brooklyn reconvene Director’s Court to pass judgement on Tim Burton. Tom and Derrick cover the man’s entire career, and try to figure out if he is still blazing new trails or relying on the same old tropes. Plus, Derrick knows the value of Johnny Depp to moviegoers, why the Gene Wilder version of Willy Wonka may be a demented serial killer, and, for the first time ever, our subject may get his revenge. You know Spectre is really swell, so get to clicking!

Episode #130. The Gentleman with Blood in His Teeth – A Celebration of Christopher Lee

The Boys Outta Brooklyn raise their glasses to honor the great Christopher Lee! Join Tom and Derrick as they explain why this is one of the most remarkable actors they’ve ever discussed, and not just because of his defining horror film roles! If that’s not enough, they struggle to explain the plot of one of Lee’s weirdest films, the insane Scream and Scream Again! Plus, Tom sings heavy metal, Derrick suspects the word “Huguenots” is dirty, and writing talk. You know the world will hear from us again, so get to clicking!

Episode #138. And Soon May The Header Man Skin? With Special Guest Desmond Reddick!

Tom and Derrick once more team-up with Dread Media’s own Des Reddick to pick a bunch of horror films you may not have heard of! From the bleak coming of (twisted) age story, The Reflecting Skin, to not one but two iterations of the atmospheric psychological thriller, And Soon the Darkness, the Guys Outta Brooklyn (and Vancouver) serves up an hour and a half of conversation and movie recommendations for your Halloween festivals. Plus, the debut of Clemens’ Peelers, and the new film rating Ebola! There are too many pretty parts, so get to clicking!

The Reflecting Skin3

The Other

1972
20th Century Fox

Directed by Robert Mulligan
Produced By Tom Tryon and Robert Mulligan
Screenplay by Tom Tryon based on his novel

Kids have it pretty rough in horror movies. Really they do. Either they’re the victims, being terrorized and traumatized by brutal, sadistic adults and chased by big scary monsters or they’re the ones doing the terrorizing. And they get away with it most of the time because they’ve got those widdle cutie cheeks and sweet smiles. Who could imagine that behind those big wide innocent eyes such monstrous evil could exist? The child who is the main character of THE OTHER has it doubly rough because he’s both victim and monster.

In the Depression era South the Perry farm should be a place of joy and cheer but instead its idyllic happiness is overshadowed by recent events. Alexandra Perry (Diana Muldaur) has secluded herself in her bedroom, totally incapacitated by grief over the recent accidental death of her husband. But everybody is looking forward to the birth of Torrie Rider’s (Jenny Sullivan) child including her younger brother Niles (Chris Udvarnoky) and his twin brother Holland (Martin Udvarnoky). The twin boys spend the long hot summer days playing in the barn, fishing and playing with their beloved Grandma Ada (Uta Hagen) who has taught Niles how to project his consciousness outside of his body and into other minds. Niles is curious as to why Grandma Ada won’t teach Holland how to play “the game”. It’s a question that Grandma Ada is significantly unwilling to answer since she changes the conversation every time the subject of Holland comes up.

It’s probably a good idea that Grandma Ada didn’t teach Holland “the game” as Holland appears to be a nasty little boy all on his own. There’s a hideous accident in the barn involving a pitchfork and Cousin Russell. The nearby neighbor lady has a heart attack under mysterious circumstances and Holland’s harmonica is found in her house in a place where it has no business being.  Niles carries around several objects in a Prince Albert tobacco can. One of them is the Perry family ring which was supposed to be buried with Mr. Perry. The other object tells plainly how Holland got the ring.  The realization of what Holland did drives Alexandra over the edge. But things get worse still when Torrie’s baby is kidnapped one night and the adults hysterically blame not only the kidnapping but all the other misfortunes plaguing the family on the handyman Mr. Angelini (Victor French) Grandma Ada and Niles are the only ones who seem to know the truth. Niles is unwilling to accept it and Grandma Ada realizes that despite her overwhelming love for Niles there’s only one way to deal with what Holland has become.

THE OTHER is going to seem slow moving and plodding to most. And most are going to think they’ve figured out the secret between Niles and Holland early on but then there’s a twist at the end that may give you cause to rethink what you’ve seen yet again. And that’s what I like about THE OTHER. It’s easy to just assume this is another good twin/bad twin story but there’s considerable evidence for two or even three other explanations for what happens in this movie and it’s up to the viewer to make up their own mind as to what was real and what wasn’t. I suppose the best way to describe THE OTHER is “Southern gothic psychological horror” and if you’ve a movie-goer who has been brought up on CGI, shocks and gore every thirty seconds then this one will probably put you to sleep. The horror in THE OTHER happens mostly right in the bright, broad summer sunshine except for the totally frightening night when the baby is kidnapped. It’s a movie that takes it’s time telling its story. It won’t be rushed because it knows where it’s going and it knows where it has to take you in order to make the payoff work.

The major acting roles here are handled by Uta Hagen who is widely acclaimed as an acting teacher and is mostly known for stage work. She’s really good in her scenes with Chris Udvarnoky. He and his real life twin brother Martin do a wonderful job of conveying both innocent and menace, sometimes both in the same scene. Look for John Ritter is a small supporting role as Torrie’s husband.

So should you see THE OTHER? It’s not a movie that you’ll find on a lot of lists as recommended for viewing but I think it’s worth one viewing at least. If you’re in the mood for a horror film that’s zero on special effects but 100 on psychological barbed wire wrapping around your brain try it out. And if you need any added poking to give THE OTHER a try then how’s this: the director of this one also directed the classic “To Kill A Mockingbird” so if you liked that one (and is there anybody alive who doesn’t like “To Kill A Mockingbird”?) then by all means you oughta give this one a look.

108 minutes
Rated PG